Maslenitsa
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The Yellow Days(en)
A psychadelic mental breakdown occurs. The lights are bright, the colours vivid, the images blurred, the mind absent.
The Ongoing Conversation(en)
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.
Empty Memories of Broken Hearts(en)
An atmospheric look into loneliness and heartbreak, all through a highly experimental lens.
Dimensioni(it)
Experimental arthouse film taking satirical views on war, politics and religious beliefs.
Lacuna(en)
A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.
Cobweb(ko)
In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
Les corps aqueux(fr)
An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.
Go Forget Me(en)
Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.
Vietnam Story(en)
A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
Lost Footage(en)
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
Deborah(it)
Created by Antonio Rezza using an auto-timer and edited in the video camera, it describes selfishness and one-sided relationships. The only person who listens to everyone else’s problems ends up sopressing himself before the eyes of his confidantes/ executioners.
PARASU(en)
the emotional rollercoaster journey of a wood cutter when nature is paying back.
he said, she said(en)
A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.