2024-09-04
10
A series of assorted shots of strangers around Manhattan about the comfort found in being anonymous.
What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of suspense and clichés of plot make it possible to move seamlessly among scenes from different films with different protagonists: uneasy sleep, getting up, listening at the door, turning on the lights, being startled, etc. In the montage, the movements and gestures of the actresses – stars like Lana Turner, Tippi Hedren, and Grace Kelly– seem choreographed and planned for each other. The soundtrack supports this effect with connecting passages of sound that imitate the stereotypes of the genre. The treatment concentrates the dramatic shift from the familiar to the eerie and shows how women become the victims of the voyeuristic glance of film.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
Experimental video art shot in the Wallingford neighborhood of Seattle
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
A remote and wild island on the west coast of Scotland is home to a small group of people that live in deep connection with the land, the sea and the weather. For different reasons, they left their city life to escape their inner demons and to live as eco-friendly and sustainable as possible.
Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.
"Here Where It All Ends" is an experimental, poetic short film that moves between documentary and fiction to address an endangered culture, that of indigenous people in the Brazil. It is, in particular, a sharing of knowledge carried out in Aldeia Bugio, at all stages of 16mm filming, botanical development and sound capture in a collective way. It seeks to reactivate the memory of the origins of the Laklãnõ/Xokleng people.
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
A visual exploration of progress and humanity
An experimental short film using only free archival footage.
Because Quebec Sign Language cannot be captured on paper, videography has revealed itself to be the best way to represent this visual language. The first ‘comic strip’ in sign language, the film depicts snatches of conversations between various deaf and hearing protagonists. A visit to a silent world, where the hearing impaired ask us to listen to them.
STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
While trying to remain a good husband and father, Superbat recruits the Avengers of Justice out of retirement to stop Dark Jokester and Lisp Luthor from freezing the planet.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
An unfortunate mix-up leaves an unsuspecting victim in a situation of life or death.
For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.
A scientist places her son and his girlfriend into a cryogenic sleep so that they can survive the coming apocalypse. They wake 25 years later in a world dominated by a fascistic ruler called the Messiah, who holds the "Death Run," a deadly gauntlet.
The DVD contains all the official music videos released with the "Hardwired... to Self-Destruct" album in 2016.
This captivating documentary on J. Robert Oppenheimer, the architect of the atomic bomb, explores his journey before the historic test and reveals the burden he carried after. De-classified documents, rare film footage and exclusive interviews, including Oppenheimer's grandson, show an intimate exploration of the burden Oppenheimer carried and the profound global impact still being debated today.
The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.
Rick and Melissa are a pair of young lovers hoping to get out of the slums for good and escape the poverty and crime their families and friends have gotten involved in. All this comes to an end when Rick feels he must rejoin his old gang to avenge the killing of his brother by a rival gang. In the course of getting even, Rick is arrested, leaving Melissa without anyone to protect her. She falls in with a crack dealer and quickly becomes addicted to the drug. When she gets sold to a drug kingpin by a minor dealer to pay off a debt, only Rick can save her.
Documentary about the making of John Carpenter's sci-fi horror movie, Ghosts of Mars.
At the most difficult low point in Jue Xiao's life, Dai Chun's appearance broke through the darkness like a ray of sunshine. In the closed environment, from acquaintance to love, the two use love to weave the possibility of happiness, and save each other from the heavy fog. As the good life continues, the test of reality also sneaks up on their love. Can they still become the best person in each other's eyes?
Sita Sinha has brought up her son, Bihari and his friend, Amar as her own. The three are very close to each other. When they grow up they maintain their friendship and love for each other. Amar marries wealthy Jaya, and Bihari marries a labourer. Amar's dad, Mr. Saxena does not like Bihari, and schemes to separate them. He succeeds, and Bihari is humiliated. Bihari blames Amar, and swears to bring about his downfall at all costs.