2050, faudra-t-il vraiment se passer de viande ?

Legos : Les 30 constructions les plus incroyables(fr)

Les œufs dans le plat(fr)

In France, 15 billion eggs, which constitute the cheapest animal protein on the market, are consumed every year. With ever more demanding consumers, the sector is changing. The production of eggs from caged hens is plummeting while free range and organic farming is on the rise. But can we mass produce quality eggs and respect animal welfare? How are the pasteurized egg products that can be found in food products and in collective catering canteen dishes made?

Travail à mort(fr)

Les héritiers(fr)

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Parc Astérix, fêtes foraines : La guerre des loisirs à sensation(fr)

Cargos - Dans les soutes de la mondialisation(fr)

Méthane, rêve ou cauchemar ?(fr)

Etats-Unis : les armes de la colère(fr)

Je ne suis pas ton pauvre(fr)

Les Samourais de Fukushima(fr)

Lekcja 41(ar)

Amsterdam(fr)

Chimères(fr)

Leila and the Others(ar)

The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.

Fuck All Whites(fr)

Wanting to distance himself from his skinhead past, Max joins the Northern Sentinels, a group that provides help to the homeless. The Sentinels’ social activities are soon shown to be hiding an even darker agenda.

Thugs with No Legend(it)

A short directed by Gianluigi Toccafondo.

Supermarket(fr)

Arrosez-les bien !(fr)

Rêv'O Lucioles(fr)

Stories from the She Punks(en)

Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.