LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and the effects of technology on the brain. The goal of the film is to inspire us to self-regulate. Social media is a tool and social platforms are a place to connect, share, and care … but is that what's really happening?
Narrator
Narrator
Himself
Himself
Himself
Herself
Himself
Himself
Herself
Himself
The twelfth edition of the International Meeting of Collective Architectures was held in Palma de Mallorca, in the neighborhoods of La Soledat, Nou Llevant and Es Molinar, at the end of September 2019. The meeting focused on the imposition of false paradises and the description of the current mechanisms of urban transformation that expel people from their neighborhoods.
October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...
A short documentary following the last 5 hours of a 59-years-old man, Ahmed before becoming homeless due to the late payments and bureaucracy by the Department for Work and Pensions.
A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.
Motherhood is a short documentary film about a single mother trying to secure a future for her severely disabled son.
What does the looming A.I. revolution mean for us as individuals and as a society?
Brazil is going through a political crisis which even representatives of our institutions reproduce speeches that seek to criminalize social movements by framing them as terrorists. The short "Teto Pra Quem" seeks to question the brutality of common sense fueled by the conservative wave by opposing it to the reality of thousands of families and their struggles in the pursuit of one of their most basic human rights: living under a roof.
In February, Just Jam's event at The Barbican was cancelled at the last minute. It was an event that seemed to be yet another victim of the London authorities now notorious risk assessment procedure, Form 696.
This short documentary follows the fortunes of iconic car manufacturer 'Lotus'. In the past 'Lotus' has been famous for producing championship winning race cars and iconic sports cars, but it has struggled to remain in profit. With a new investor and managing director at the helm, they set out to build the first new Lotus road cars in over a decade. From the last ever petrol powered car, the 'Emira' and also their first pure electric British hypercar the 2000 brake horsepower 'Evija'.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
More than two decades after the shooting at Columbine, an entire generation has grown up under the threat of gun violence. This film examines the epidemic of school shootings and their lasting impact through the eyes of survivors.
Through this documentary, Emmanuelle Béart aims to uncover the truth about incest. The actress, accompanied by director Anastasia Mikova, breaks her silence and confronts her reality with that of others, shedding light on a taboo subject.
The successes and failures of a couple determined to live in harmony with nature on a farm outside of Los Angeles are lovingly chronicled by filmmaking farmer John Chester, in this inspiring documentary.
Exploring provocative viewpoints from engineers, factory workers, journalists, philosophers and Asimov himself, The Truth About Killer Robots is a cautionary tale about a world automating beyond control.
What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.
This movie is about an Iranian filmmaker called Davood Roostayi, whose all movies ( more than 100 movies ) have been banned both before and after the Islamic revolution of Iran and none of his movies have been screened.