Himself
Himself
Himself
Himself
In response to a wave of discriminatory anti-LGBTQ laws and the divisive 2016 election, the San Francisco Gay Men's Chorus embarks on a tour of the American Deep South.
A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman - a real life Lorax who speaks on behalf of nature under threat.
8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s will / last request. Spiritual journey with Mt.Buko folklore and mountain Gods (Kami-sama). An important message that the director saw after surviving a near-death experience and depression. ...Why don’t the flowers grow in the right places? Where have all the cute children gone?...
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
In the fall of 1962, a dramatic series of events made Civil Rights history and changed a way of life. On the eve of James Meredith becoming the first African-American to attend class at the University of Mississippi, the campus erupted into a night of rioting between those opposed to the integration of the school and those trying to enforce it. Before the rioting ended, the National Guard and Federal troops were called in to put an end to the violence and enforce Meredith's rights as an American citizen.
“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.
The Matica slovenská (a mostly government-sponsored cultural, academic, and archival institution) employed Karol Plicka (1894-1987) as its ethnographer, who was able to make documentary shorts from about 1926. He obtained funding from the President’s Office in 1928 to produce an hour-long documentary about village life, Through Mountains and Valleys (Po horách, po dolách). It was awarded a Gold Medal at the International Exposition of Photographic Art in Florence and received an Honorable Mention at the International Venice Film Festival in 1932.
Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.
The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.
"Scottish Myths & Legends" explores the magic, mystery and sprinkling of mayhem that covers the dramatic landscape of Scotland. From the ancient tales of the Loch Ness Monster to the stories of shape shifting Kelpies, we go on a fascinating journey of discovery to uncover the stories behind the myths and the magnificent Scottish landscape that has inspired these truly legendary legends.
Slow death of Istrian towns, far from the sea and abandoned by its residents. The houses can't be sold even for peanuts.
In 1972, Moody Anderson bought a ghost town and brought it back to life. Nearly four decades later, Moody faces the heart-wrenching task of dismantling and selling his collection of Americana artifacts used in hundreds of films, from Lonesome Dove and The Texas Chainsaw Massacre to the Coen Brothers' remake of True Grit.
For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
Twenty years after a beloved local fisherman, Richie Madeiras, goes missing off the shores of Martha's Vineyard, a distant cousin locates Richie's kind, indelible spirit in the stories of family, friends, and the sweeping sea which has defined their lives. A stirring, lyrical journey beneath the brusque, reticent surface of a New England fishing community.
In Africa there is a fable that explains the creation of the tides. When a hyaena challenged a mudskipper to a drinking contest to decide who should own the shore, the god Mungu tilted the earth so the sea flowed inland, and neither could win.