Self - Narrator (voice)
Self
Self
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Documentary about Buster Keaton's The 'High Sign' (1921) and Keaton's developing style.
Short documentary on the making of Buster Keaton's One Week.
The evolution of The Scarecrow (1920) is discussed in this documentary.
Documentary about the development of Buster Keaton's The Haunted House (1921).
Documentary about the Buster Keaton short Hard Luck (1921).
A short documentary on the works of Buster Keaton.
The special effects in The Play House (1921) are discussed.
Ben Model discusses scoring music for silent movies.
The actors in My Wife's Relations (1922) are discussed in this documentary.
Bruce Lawton discusses Buster Keaton's The Blacksmith (1922), a film that Keaton had dismissed as a "lesser" work.
A short documentary on Buster Keaton's The Frozen North (1922), regarding how the events of Fatty Arbuckle's trial and William S. Hart's quick condemnation of Arbuckle, were reflected in the film.
Documentary on Day Dreams (1922), a Buster Keaton silent comedy.
This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1923 comedy feature Three Ages was filmed in Hollywood, USC, and Los Angeles.
This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1924 comedy feature Sherlock Jr. was filmed in Hollywood and Orange County.
In this visual essay John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, pinpoints the locations used in the filming of The General and offers glimpses of how they look today.
Main Characters/Performers: 1. Xiao Mei - first appearing as new star dancer in lavish Peony Pavilion brothel, Mei is believed to be the blind daughter of a rebel group's recently assassinated leader- played by Zhang Ziyi . 2. Jin - police captain in the ruling Tang emperor's service, enlisted by his superior Leo to play the role of double agent by helping Mei escape and getting her to lead him - and government troops - to the rebel stronghold - played by Takeshi Kaneshiro. 3. Leo - introduced as a high ranking policeman in the Tang emperor's service, Leo turns out to a mole planted years earlier by the rebels working to overthrow the corrupt ruling Tang government - played by Andy Lau.
Humans are story-telling creatures. By thinking, we all unconsciously "author" a self-story in our heads. Most often, the characters and plot of our story is framed by negative experiences from childhood. These painful "stories" then determine our emotions, leading to unhealthy stress, and changes in body chemistry. This is how a person's self-story can turn into a stress-related illness.
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.
This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.