An Oppressed People Is Always Right
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Relentless: Struggle for Peace in the Middle East(en)
Relentless: The Struggle for Peace in the Middle East was produced by the pro-Israel media watchdog group HonestReporting [sic]. The concentrates on the causes of the Second Intifada through an examination of compliance the Oslo Accords, by Israel and the Palestinian Authority. It pays particular attention to the failure of the Palestinian Authority to "educate for peace". The documentary shows interviews with Itamar Marcus, director of Palestinian Media Watch, S. El-Herfi, Raanan Gissin, Caroline Glick, John Loftus, Sherri Mandel, Yariv Oppenheim, Daniel Pipes, Tashbih Sayyed and Natan Sharansky.
Tamar(en)
Tamar, a 33-year-old Tel Aviv comics artist, watches passersby, listens to their conversations and translates her impressions into comics with an ironic expression. She peels off the mask from a society, in the eye of the storm, that claims to be liberal and in which everyone has an opinion about everything. Secure between her four walls, she touches the darkest spots of her life- a bomb attack, a failed marriage, coping with depression. A young, modern woman in today's Israel.
The Shadow of the West(en)
Its main focus is on the plight of the Palestinians which can be seen as the most enduring residue of the modern encounter between the Arabs and the West. Edward Said traces the course of European involvement with the Near East via the Crusades to Napoleon's campaign in Egypt and the French and English entrepreneurs, adventurers and empire builders who came in his wake.
City of Borders(en)
Interviews with the owners and diverse patrons of a Jerusalem gay bar called "Shushan."
Paper Dolls(en)
Paper Dolls follows the lives of transgender migrant workers from the Philippines who work as health care providers for elderly Orthodox Jewish men and perform as drag queens during their spare time. It also delves into the lives of societal outcasts who search for freedom and acceptance.
Palestine Is Still the Issue(en)
A documentary about the Israeli-Palestinian conflict that has lasted for more than 50 years. Contains some interviews with the children in this conflict.
Introduction to the End of an Argument(ar)
This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.
No Commercial Potential(he)
A short documentary about the making of Ari Folman's film Made In Israel. By featuring interviews with the director Ari Folman and the cast, it takes you to a behind-the-scenes journey from pre-production to shooting, editing, and screening.
Occupation 101: Voices of the Silenced Majority(en)
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
Searching for Freedom: The Holy Land Foundation(en)
The film "Searching for Freedom: The Holy Land Foundation" is a two part documentary focussing on the story of the Holy Land Foundation, established in the late 80s by three Americans from Palestinian origin, Shukri Abu Baker, Ghassan Elashi and Mohammad El-Mezain. The foundation aimed to supply humanitarian aid to the Palestinians in Palestine and countries hosting Palestinian refugees, it later became the largest charity association in the US to distribute humanitarian aid to Palestinians. After 9/11, the former US President George W. Bush issued a decision to shut down the Holy Land Foundation and freeze its assets. In 2007 the Holy Land Foundation trials began, where five of its members were charged with funding terrorism and sending money to Hamas, a blacklisted political group in the US. A second trial for the Holy Land Foundation members took place in 2008, which issued the convictions of five members of the Foundation and their sentencing of 65 years imprisonment.
The Green Prince(en)
This real-life thriller tells the story of one of Israel’s prized intelligence sources, recruited to spy on his own people for more than a decade. Focusing on the complex relationship with his handler, The Green Prince is a gripping account of terror, betrayal, and unthinkable choices, along with a friendship that defies all boundaries.
Winding: A River Story(he)
The river and nature are placed in the forefront of the film, taking on the role of the main character. Through rare archival materials in addition to personal and social stories, we reveal the importance of the connection between society and its land, between nature and man. This is a portrait of one small river that flows in the heart of the Israeli society and reflects the Israeli narrative through an entirely new lens.
Waltz with Bashir(he)
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Jerusalem: The Covenant City(en)
In this superbly produced, two-part documentary, you'll trace the holy city's prophetic history and explore what the Bible professes regarding Jerusalem's fate.
Gaza(en)
GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict. Throughout its entire history the Gaza Strip has been witness to conflict and upheaval. From ancient times this tiny coastal territory, located at a crossroads between continents, has been a pawn whose fate rested in the hands of powerful neighbours.
War Photographer(en)
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
Something from there(en)
Something from there is a short film on the substance of our original lands. Weaving between the voices of the artist’s parents, one a refugee and the other not, the film is personal, yet evokes a shared Palestinian experience.