Self
Self
Self
Self
Negev Desert, Israel, 1987. Bashir Abu Rabi'a works as a pyrotechnics and special effects assistant on the film Rambo III, starring Sylvester Stallone, a shoot that will have far-reaching consequences for the local Bedouin population.
Telugu Film Director Vamsy, reminisces about his early days as an Assistant Director Working at "Seethakoka Chilaka" sets with his Mentor Bharathi Raja and how he made a Unique Trailer Cut for the Film.
Telugu Film Director Vamsy Shares the Story of Actor Rajanala.
Telugu Film Director Vamsy Expresse his Train Journey with Music Direcor Ilayaraja.
A group of animators pitch “The Unlucky Rabbit” to Walt Disney, a documentary about how his earliest creation, Oswald The Lucky Rabbit, was forgotten to time.
An experimental video essay which uses circles and waves to explore neurodivergent experience.
Explorers and amateur directors Mariana Ianovska and Viktor Posnov embark on a 40 day long trip across Umnak Island.
Documentary about Nagisa Oshima. It includes interviews with Oshima, Donald Richie, Roger Pulvers and Paul Mayersberg
Short subject on how fashion is created-- not by the great couturiers, but on the street.
In 1973 a military coup was staged in Chile, Ernesto lived through these tough times and shares his story about what happened to him
A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.
Exclusive behind-the-scenes access to legendary game creator Hideo Kojima's new studio, Newsbeat shows the making of Death Stranding - the first game from Kojima Productions in Tokyo.
YouTuber Jeffiot goes digging for the origins of skull trumpet / doot doot / mr skeltal, and ends up taking a trip to the early web heyday of animated gif art, and ruminating on creativity and legacy.
A gentle and confused home movie in search of a lost space - my grandmother's garden, where I spent my childhood. There is nothing to testify to that place and my time there. There are memories pollinated by the pollen of garden poppies the warmth of my hands, toiling in the sunshine and the stories of adults about the big world. Summer, reveries, childhood, prejudices, the realities of the noughties, a small town - shimmering images that can never manifest, but endlessly manifest themselves. The intimate experience is torn by externalised reality: the formerly Latin poppy becomes a threat to gardeners and gardeners, bugs represent terror and flowers represent death.
Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.