West of the Jordan River
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Himself
Himself
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In 1968, Robert Kennedy was assassinated just after winning the California primaries, which made him the front-runner in the presidential race. Had he reached the White House, he would have been able to reopen the investigation into his brother’s death five years earlier, and it is known from numerous testimonies that he intended to do so. Neither John’s nor Robert’s death are elucidated; both investigations, conducted under Lyndon Johnson’s watch, are widely regarded as cover-ups. In each case, the official conclusion is rife with contradictions. This film sums them up. But it does more: it shows that the key to solving both cases resides in the link between them. And it solves them beyond a reasonable doubt.
1341 Frames of Love and War(he)
Israel's most celebrated war photographer, Micha Bar-Am, unfolds his extraordinary archive of over half a million negatives. A life devoted to recording a conflict for the prestigious Magnum agency.
Wild Plants of Palestine(en)
Wild Flowers Plants of Palestine follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.
Closeness to the Land(en)
In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.
The Shadow of the West(en)
Its main focus is on the plight of the Palestinians which can be seen as the most enduring residue of the modern encounter between the Arabs and the West. Edward Said traces the course of European involvement with the Near East via the Crusades to Napoleon's campaign in Egypt and the French and English entrepreneurs, adventurers and empire builders who came in his wake.
Plunder(en)
Iranian people’s water requirements are mostly depending on groundwater, though these sources are swiftly ending and the farmers are overusing millions of cubic meters of water annually. This documentary shows the tragedy of progressive depletion of groundwater resources in Iran in the past 50 years. While analyzing the water managements in past decades, we will see the environmental and social losses of such plunder, like land subsidence and migration of more than 11 million Iranians to suburbs of megacities.
Theatre In Israel(en)
An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.
La bataille de Jérusalem(fr)
This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.
Winding: A River Story(he)
The river and nature are placed in the forefront of the film, taking on the role of the main character. Through rare archival materials in addition to personal and social stories, we reveal the importance of the connection between society and its land, between nature and man. This is a portrait of one small river that flows in the heart of the Israeli society and reflects the Israeli narrative through an entirely new lens.
Jerusalem: The Covenant City(en)
In this superbly produced, two-part documentary, you'll trace the holy city's prophetic history and explore what the Bible professes regarding Jerusalem's fate.
Der Mossad(de)
Waltz with Bashir(he)
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Sifting the Evidence: The World of the Bible(en)
Dr. Chris Sinkinson presents in a thoughtful, accessible and engaging manner, demonstrating through on site location and interviews with experts, that archaeology affirms that the Bible is reliable and fits with important events that occurred in the ancient world. He cites Jerome who considered Israel the “fifth gospel” and his avid interest and expertise in the land and history is clearly evident. Indeed if we visit and study Israel, that will illumine and enrich our understanding of the Bible. Interestingly and additionally, when Blaise Pascal was asked by Louis XIV for evidence for the existence of God, he simply similarly responded, “The Jews, your majesty, the Jews.”
Film-Essay on the Euphrates Dam(ar)
The construction of a dam on the Euphrates River is an example of a country’s economic development. Through grandly composed images, rhythmic editing, and aestheticized details, the director demonstrates his admiration for the interwar avant-garde. The film is a celebration of the new, while at the same time showing a traditional way of life and calling attention to working conditions; it is a refrain-like evocation of an arid country that explores the difficult lot of Syria’s rural inhabitants.
Babylon(ar)
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
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