This is a short documentary about the old City of Buenos Aires and the new one. It’s an observational piece where the old photos of the same places invite us to live in the old Buenos Aires for a few minutes.
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My dearest Buenos Aires
Guy Debord's analysis of a consumer society.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.
Castiglione d'Otranto, in the South of Italy. A group of thirty-year-olds no longer accept that the solution to the economic, ecological and political problems of the territory is always "to leave". They propose to the villagers who own pieces of uncultivated land, often felt as a burden, to put them in common. They decide to stay, to link their lives to the land and to invest in a value: being together. Castiglione becomes the village of restance. They cultivate ancient seeds and local biodiversity, they make decisions together, they develop a local economy. Accepting the shadows of the past, another potential of the place is rediscovered.
A history of Bucharest, as seen in the light of the totalitarian architecture, having as leading idea the reality that the Power always exposes its purposes through architecture. After five decades of communism, the reality on thee Dark Ages is still waiting to be revealed, and architecture is one of the most obvious embodiments of the ideology to whom it was builtÉ It is not a movie about faults or about guilty peoples, but about official edifices of thee communist Romania and their story.
The construction of the Obelisco in Buenos Aires, Argentina.
Prior to 1973, Satan seemed all but dead and gone, the causality of a modernist mindset. But with Linda Blair's disturbing performance in The Exorcist, Satan returned with a vengeance and since then films about demonic possession have fascinated viewers worldwide. However, was the visage of Satan that returned Biblical or distorted? And how have these images influenced society's view of the demonic and spiritual warfare? In this thought provoking documentary, these questions are examined with objectivity and insight from psychologists, modern-day exorcists and leading voices in Christianity.
"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.
An intimate portrait of Christopher Alexander, a critic of modern architecture on a lifelong quest to build harmonious, livable places in today’s world. The film tells the story of two projects – a spectacular high school in Japan and an innovative homeless shelter in California. For Alexander, feelings come first, users are deeply engaged and process is paramount. We discover what happens when an architect’s unconventional method collides with standard practices in his profession.
Hormones – without them, nothing would work in our body: the messenger substances control our physical and mental state. New studies show how complex the connection between hormones, feelings and behavior really is. Surprisingly, the body's own hormone production is also apparently influenced by a person's behavior.
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.
In the spring of 1962, members of the Christian Peace Service aid group flew in from Bern, Switzerland and settled in the poorest villages in all of Greece. Led by photographer and social worker Fritz Berger, the group itself had one purpose: the provision of aid and development services to local communities inhabiting the southwest region of Lefkada. What followed were revolutionary advancements that would leave their lives forever changed.