A So-Called Archive(2020)

Melting Snow(en)

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.

NZ WARS: Stories of Waitara(en)

Stories of Waitara combines oral histories, state of the art animations and powerful dramatic re-enactments to bring to life the narratives of Te Ātiawa in their epic battle against the military might of the British Empire. Created and presented by award-winning journalist Mihingarangi Forbes NZ Wars: Stories of Waitara documents the epic battle for control over the fertile lands of Taranaki. Shared through the eyes of Te Atiawa descendants including Dr Ruakere Hond with insights from acclaimed historian Dr Vincent O'Malley this digital documentary project focuses on the beginning of the Taranaki wars which started in Waitara and raged across the region for over two decades. The Taranaki pa site of Pukerangiora holds a significant place in New Zealand's military history as a lasting symbol of Maori resistance and resilience. Pukerangiora is now the backdrop for the latest installment of RNZ's award-winning docu-series on the bloody birth of modern New Zealand.

Belgian Campaigns in Africa(fr)

Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.

Potlatch...a strict law bids us dance(en)

Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.

Statues Also Die(fr)

Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.

Negotiating Amnesia(en)

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

Time to Change(pt)

Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.

A Story from Africa(en)

Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.

Beyond the Frontlines: Resistance and Resilience in Palestine(fr)

Algérie 1962: Chronique d'un conflit(fr)

Africa Rising(de)

How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.

Montezuma(en)

Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.

Una identidad en absurdo Vol. 1(es)

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Palestro, Algérie : Histoires d'une embuscade(fr)

Adwa(am)

In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.

A Minha Avó Trelotótó(pt)

«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

René Vautier, le rebelle(fr)

Concerning Violence(sv)

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

I Will Speak English(en)

'An instructional film made on behalf of the Department of Social Welfare, demonstrating a new technique to teach English to illiterate adult audiences in the Gold Coast. (..) This is a film with an almost entirely African cast, depicting an African teacher instructing a group of African students, produced by a predominantly African crew. Yet, the subject of the film – encouraging the widespread teaching of English – jars with this image of a modern Gold Coast. Just as the Gold Coast Film Unit was overseen by British figures – such as Sean Graham and, in this case, George Noble – this film also endorses the retention of British influence within a new national identity'. - Tom Rice, for colonialfilm.org

The world like a jewel in the hand: unlearning imperial plunder ii(en)

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.