as Himself
as Himself
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
2011-04-05
0
A (de)construction by Guillermo Gómez Álvarez
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.
6.8The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.
6.1A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.
3.7Joe wants to be a rapper. Max wants to be a filmmaker. They go to a secluded house in rural Virginia to document the production of Joe's demo CD. But what begins as a funny music documentary turns into a film about Joe's harrowing battle with a self-destructive alter-ego.
10.0Discovered by Wu-Tang Clan's RZA, Hell Razah had a promising career and gold records before he was tragically struck down with a brain aneurysm. Risen traces his journey to recovery - both spiritually and physically - back to the mic.
5.0This documentary film traces the entire history of New York's punk movement; the VU years, the Warhol influence, the Dolls reign, and the handover of power to the bands who shared the sensibilities and attitude introduced to the city by Warhol and the Velvets a decade before. With the aid of performance footage, rare archive, exclusive interviews and some of the most exciting music ever recorded, this programme offers an experience of these events second only to having lived through them. Features new interviews with Richard Hell, Suicide's Alan Vega, Blondie's Gary Valentine and many more.
6.6The life and career of rock n' roll icon Joan Jett from her early years ripping it up onstage as the founder and backbone of hard-rock legends The Runaways, to her long time collaboration with Kenny Laguna as Joan Jett & the Blackhearts, and her enduring presence in pop culture as a rock pioneer and mentor. With her inimitable singles "I Love Rock n Roll," and "Bad Reputation" Joan Jett inspired a generation of young women to rock.
0.0A documentary depicting the life of American boyband Brockhampton while making their Saturation album series.
10.0The Complete Jam serves up a staggering 49 performances, divided between 16 promotional videos (previously available on the |Video Snap VHS collection), a seven-song excerpt from a 1980 live show, and a staggering 26 more drawn from the best of the band's television performances, ranging from their U.K. debut on Marc Bolan's fondly remembered Marc through to their nine-song farewell performance on The Tube. A couple of entertaining interviews, a photo gallery, and a short (and, sadly, very poorly narrated) documentary on the band's history complete the portrait.
0.0This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.
5.5An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
6.9The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
7.3Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
6.0The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
7.2Concert film combining the footage from 50 camcorders given to audience members of a sold-out Beastie Boys show at Madison Square Garden on October 9, 2004. The audience members were instructed to keep the cameras rolling at all times.
0.0Members of pioneering New Wave band Devo and golfing legend Chi Chi Rodríguez recall how their paths crossed when Devo used an image of Chi Chi for their debut album.
After 'Skepta: Top Boy' and 'Noisey Blackpool' comes our latest UK documentary - Don’t Call It Road Rap hosted by legend of UK music, Mike Skinner. 'Don’t Call It Road Rap' was filmed around London over a year, investigating the explosion of UK rap and follows some of the most important MCs as they try to focus on music and keep their lives on a positive track. The film features the likes of Section Boyz, C Biz, 67, Corleone, Potter Payper and Skore Beezy.
0.0It's Different In Chicago Tells the story of how House music and Hip Hop culture complemented and competed with each other leading to deep revelations about the different segments within the Black community of Chicago.
0.0‘Sold For Parts’ is a COLLECTIVE films documentary chronicling Fontaines DC’s journey as they write, record and release their award-winning debut album. It is a revealing and honest look at a group willing to open up the deepest parts of their process as musicians, and themselves as young men.