This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.
Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.
Documentary about the work of photographer Alair Gomes, one of the first artists to introduce male nudity in Brazilian photography.
Revisit photographs created by Kentucky school children in the 1970s and the place where their photos were made. Photographer and artist Wendy Ewald, who guided the students in making their visionary photographs, returns to Kentucky and learns how the lives and visions of her former students have changed.
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
David Griecos documentary showcases the underappreciated photography of Domenico Notarangelo, and through it, tells the story of Matera, it's people and it's history.
A documentary about how Rwandans use personal and family photographs to remember and commemorate the loved ones they lost in the 1994 genocide.
Otelinda and Lutoy, married for almost 50 years, are reminded of the moments of greatest tension they experienced, in the Angolan civil war, when confronted with the images on the news about the war in Ukraine. Narrated by Otelinda, her story, we learn her story from the 25th of April, until the day she waited alone for her husband on the verge of misfortune, in Cabinda. Her narration is accompanied by the contrasting images of their daily lives in 2023, as well as the landscapes and people of the country where they now reside. Their relationship initially appears distant, but becomes closer towards the end of the narrative, through the memories of everything they suffered together.
Tracing the Future follows In the Wake exhibition artist Naoya Hatakeyama as he photographs the devastated landscape of his hometown of Rikuzentakada after 3/11. Hatakeyama, who represented Japan in the 2001 Venice Biennale and is renowned for meticulous photographs that explore the relationship between humankind and nature, suffered enormous losses on 3/11: his family home was washed away in the tsunami and his mother lost her life. Tracing the Future delves into the artist’s deeply personal response to the disaster and explores his four-year-long mission of documenting the place of his upbringing.
Mexico Cup, 1970: Pelé scores the goal against Czechoslovakia, helping the Brazilian team towards its third championship. Orlando Abrunhosa immortalized the feat in the most reproduced photo around the world, but this is not his only feat.
In the center of Equator Province, Democratic Republic of the Congo, the Ilima community remains one of the most isolated in the world. They have coexisted with endangered wildlife in their surrounding forest for generations, but as the pace of development has increased, this fragile ecosystem has suffered. They partnered with the African Wildlife Foundation and our architecture firm, MASS Design Group, in 2012 to create a new conservation focused primary school and community center. This film documents our collective building process - one aimed at leveraging local craft and ecological knowledge towards education, preservation, and beauty.
An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation. Filmed in Zaire, Kenya and Tanzania, the film takes the viewer from deep inside an anthill, to the majestic giraffes suckling their young. African storms, dung beetle ritual dances, duels for supremacy, feeding time, and playtime all end as the animals disappear one by one while the sound of a rifle shatters the existing magic of life. Winner of the Academy Award for Documentary Short Subject, 1976.
Malawian Short film, the first in the 'Letters From The Future' film series based on stories of HIV/AIDS in Africa. Filmed on location in Lilongwe (Malawi) co-directed by Khama Mbaula and Bright Makina. Shot entirely on a handycam at a 20$ budget, no professional equipment was used to make this.
Witness cycling’s top photographers in action at the world’s most beautiful bike race, as we go behind the lens with Ashley and Jered Gruber, Luca Bettini, and Zac Williams at the 2023 Giro d’Italia. Filmed during the race’s three epic final stages, learn how the photographers chase the action, doing their best to capture the pain and glory of the riders, and document the beauty of the mountains and towns across Italy. This is a thrill-a-minute, front row seat to the stunning finale of a race that will live long in the memory – and in the photographers’ beautiful imagery.
Documentary about the inhabitants, both human and animal, of the Belgian Congo. Released in 1958.