2 Minuten Stilte a.u.b.(1998)

200,000 Phantoms(fr)

In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.

Peter Eisenman: Building Germany's Holocaust Memorial(en)

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

Homefront(en)

Stories of injury, fear, humour and falling in love from soldiers caught up in conflicts from World War II, Vietnam and Afghanistan. Discover the people behind the new sculptures in Greensborough War Memorial Park.

Auschwitz: The Hidden Traces(en)

Examines documents and traces of the atrocities that took place at the Auschwitz concentration camp. Years after the end of the war, expert analysis of the remnants of these documents has helped shed light on the stories of prisoners.

Les Sentinelles de l'oubli(fr)

The war memorials of 1914-1918 have become so familiar that we no longer see them. They've become an invisible museum, blending into the landscape of France. Then, one fine day, a sculpture catches our eye. Another History appears, perhaps the most gigantic artistic project since the cathedrals...

Ulster Story(en)

Part of a travelogue series, this films visits to Derry, the Giant’s Causeway, Carrick-a-Rede, Mount Stewart and Belfast.

Cartas(es)

Unveiling the Calgary Soldiers' Memorial(en)

The unveiling and dedication ceremony of the Calgary Soldiers' Memorial.

Set In Stone(en)

The race to save the world's only dedicated Māori World War One Memorial from collapse reveals an unknown soldier's heroic story to the community he was once part of.

Památník Žižka(cs)

1533 Km. to Home(es)

It's 1982, and Argentina and Great Britain are at war over a tiny patch of land known as the Falkland Islands. Told from the rarely explored Argentinean viewpoint, this is the story of the Falklands War through the eyes of eight former soldiers and sailors who fought to defend their country's claim to the inhospitable islands, facing off against a massive British force sent to retake them.

Summer on the Frontline: A Boy's Story(ja)

Keisuke, 15-year-old junior-high school boy, has been forced to live as refugees with his family in temporary housing apart from a hometown as a result of the Great East Japan Earthquake.In 2012, he belongs to a broadcasting club of his junior-high, to which he has to be admitted for the earthquake. He spends time with some fellows of a club. But all equipment to make their works of it has been washed away by the tsunami. He decides to give up his filmmaking in this summer, which will be the last time of his junior-high days to make a work.But one day a man who lives in a small village in Heilongjiang, China donates the equipment for filmmaking to Keisuke's school. Also Keisuke, his fellows and his teacher have been invited by him to shoot a film in China. And they are travelling to shoot around the boundless Chinese land.

The Deserter(it)

In this tragic story that has an unrealized potential to tug at the emotions, a woman in mourning for her two sons lost in World War I is the only one in her village determined to financially support a war memorial. The village poor have too little money, and the richer are tight-fisted. She has given a whole 15 years of savings -- yet the good priest, for whom she works as a maid, is not enthusiastic about her action because he is worried that the memorial will not remind the villagers of past horrors and suffering but disguise the human cost of war in rhetoric. As the memorial's advocates begin to sustain the day, flashbacks show how the woman's youngest son shot his captain, deserted the army, and came to die of fever while in his mother's care. The priest helped her as much as possible, yet he feels compelled to tell the authorities that her son was a deserter.

The Memorial(en)

Images of the 911 attack on the Twin Towers act as a reminder for a character in recalling his lost relationship with a man he loved in this animated ode to building memorials - both physical and emotional - to those we have lost.

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Stand(en)

On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.

Ninan Auassat: We, the Children(fr)

Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.