1951-01-01
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Stories of injury, fear, humour and falling in love from soldiers caught up in conflicts from World War II, Vietnam and Afghanistan. Discover the people behind the new sculptures in Greensborough War Memorial Park.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
The war memorials of 1914-1918 have become so familiar that we no longer see them. They've become an invisible museum, blending into the landscape of France. Then, one fine day, a sculpture catches our eye. Another History appears, perhaps the most gigantic artistic project since the cathedrals...
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
Part of a travelogue series, this films visits to Derry, the Giant’s Causeway, Carrick-a-Rede, Mount Stewart and Belfast.
Examines documents and traces of the atrocities that took place at the Auschwitz concentration camp. Years after the end of the war, expert analysis of the remnants of these documents has helped shed light on the stories of prisoners.
The unveiling and dedication ceremony of the Calgary Soldiers' Memorial.
Images of the 911 attack on the Twin Towers act as a reminder for a character in recalling his lost relationship with a man he loved in this animated ode to building memorials - both physical and emotional - to those we have lost.
In this tragic story that has an unrealized potential to tug at the emotions, a woman in mourning for her two sons lost in World War I is the only one in her village determined to financially support a war memorial. The village poor have too little money, and the richer are tight-fisted. She has given a whole 15 years of savings -- yet the good priest, for whom she works as a maid, is not enthusiastic about her action because he is worried that the memorial will not remind the villagers of past horrors and suffering but disguise the human cost of war in rhetoric. As the memorial's advocates begin to sustain the day, flashbacks show how the woman's youngest son shot his captain, deserted the army, and came to die of fever while in his mother's care. The priest helped her as much as possible, yet he feels compelled to tell the authorities that her son was a deserter.
It's 1982, and Argentina and Great Britain are at war over a tiny patch of land known as the Falkland Islands. Told from the rarely explored Argentinean viewpoint, this is the story of the Falklands War through the eyes of eight former soldiers and sailors who fought to defend their country's claim to the inhospitable islands, facing off against a massive British force sent to retake them.
Keisuke, 15-year-old junior-high school boy, has been forced to live as refugees with his family in temporary housing apart from a hometown as a result of the Great East Japan Earthquake.In 2012, he belongs to a broadcasting club of his junior-high, to which he has to be admitted for the earthquake. He spends time with some fellows of a club. But all equipment to make their works of it has been washed away by the tsunami. He decides to give up his filmmaking in this summer, which will be the last time of his junior-high days to make a work.But one day a man who lives in a small village in Heilongjiang, China donates the equipment for filmmaking to Keisuke's school. Also Keisuke, his fellows and his teacher have been invited by him to shoot a film in China. And they are travelling to shoot around the boundless Chinese land.
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.
The powerful story of the Vegas Golden Knights in their very first year of existence, when they healed and unified their home city after the worst mass shooting in U.S. history and took an unprecedented run for the Stanley Cup.
Who is Koca Popovic? Artist, poet, surrealist, philosopher, warrior, general, cynic, statesman, spoiled son of a rich man, genius war leader or a bon vivant? A Serb who learned French language before his own, a convinced communist who made fun of the communist dogma, sportsman, vice-president of Yugoslavia who drove to work in his Spacek? Answers to these questions could be: all of this and none of it really. In fact, who is Koca Popovic remains a mystery even today. A mystery that this film will at least try to unravel.
The wonders of nature are viewed from the backyards of communities across the nation.
Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.
The series explores the transformative years following the American Civil War, when the nation struggled to rebuild itself in the face of profound loss, massive destruction, and revolutionary social change. The twelve years that composed the post-war Reconstruction era (1865-77) witnessed a seismic shift in the meaning and makeup of our democracy, with millions of former slaves and free black people seeking out their rightful place as equal citizens under the law. Though tragically short-lived, this bold democratic experiment was, in the words of W. E. B. Du Bois, a ‘brief moment in the sun’ for African Americans, when they could advance, and achieve, education, exercise their right to vote, and run for and win public office.
Approximately ten minutes of 35mm footage survives at the Svenska Filmminstitutet from a documentary (probably not completed or even edited) shot in the convent of the Swedish sisters of Saint Brigid, Rome, at the request of the Swedish Red Cross, for victims of the Polesine flood of November 1951.