1951-01-01
0
As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.
Part of a travelogue series, this films visits to Derry, the Giant’s Causeway, Carrick-a-Rede, Mount Stewart and Belfast.
The war memorials of 1914-1918 have become so familiar that we no longer see them. They've become an invisible museum, blending into the landscape of France. Then, one fine day, a sculpture catches our eye. Another History appears, perhaps the most gigantic artistic project since the cathedrals...
The unveiling and dedication ceremony of the Calgary Soldiers' Memorial.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
Stories of injury, fear, humour and falling in love from soldiers caught up in conflicts from World War II, Vietnam and Afghanistan. Discover the people behind the new sculptures in Greensborough War Memorial Park.
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
It's 1982, and Argentina and Great Britain are at war over a tiny patch of land known as the Falkland Islands. Told from the rarely explored Argentinean viewpoint, this is the story of the Falklands War through the eyes of eight former soldiers and sailors who fought to defend their country's claim to the inhospitable islands, facing off against a massive British force sent to retake them.
Images of the 911 attack on the Twin Towers act as a reminder for a character in recalling his lost relationship with a man he loved in this animated ode to building memorials - both physical and emotional - to those we have lost.
In this tragic story that has an unrealized potential to tug at the emotions, a woman in mourning for her two sons lost in World War I is the only one in her village determined to financially support a war memorial. The village poor have too little money, and the richer are tight-fisted. She has given a whole 15 years of savings -- yet the good priest, for whom she works as a maid, is not enthusiastic about her action because he is worried that the memorial will not remind the villagers of past horrors and suffering but disguise the human cost of war in rhetoric. As the memorial's advocates begin to sustain the day, flashbacks show how the woman's youngest son shot his captain, deserted the army, and came to die of fever while in his mother's care. The priest helped her as much as possible, yet he feels compelled to tell the authorities that her son was a deserter.
Keisuke, 15-year-old junior-high school boy, has been forced to live as refugees with his family in temporary housing apart from a hometown as a result of the Great East Japan Earthquake.In 2012, he belongs to a broadcasting club of his junior-high, to which he has to be admitted for the earthquake. He spends time with some fellows of a club. But all equipment to make their works of it has been washed away by the tsunami. He decides to give up his filmmaking in this summer, which will be the last time of his junior-high days to make a work.But one day a man who lives in a small village in Heilongjiang, China donates the equipment for filmmaking to Keisuke's school. Also Keisuke, his fellows and his teacher have been invited by him to shoot a film in China. And they are travelling to shoot around the boundless Chinese land.
Present day: a small village somewhere in rural Serbia. Reports on the upcoming parliamentary elections drone from the radio while a local traffic policeman tries to teach his old grandmother how to use a mobile phone. Glimpses of this old lady, who lives a lonely life on a remote farm, become the red thread running through the film with its snapshot-like portraits of everyday life in the tiny community. There’s the grocer’s shop the men visit to talk about money and politics. Or the postman who delivers on his moped the ballot papers for the forthcoming elections. The policeman who stops cars as he fancies. The school with a handful of children in the overlarge classroom. The pub in which something approaching merriment occasionally arises. And the recurrent visits to the old peasant woman: Her matter-of-fact inventory of aches and pains delivered to the local doctor, her worries about increasing thievery confided in the village priest.
The documentary records the celebrations for the celebration of the fourth centenary of the city of São Paulo, in 1954. In charge of the party, Pixinguinha, Donga, João da Baiana and other representatives of the Old Guard.
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health.
Garfield creator Jim Davis presents a behind-the-scenes 10th-anniversary celebration of the pasta-eating cat.
"Laughing with Hitler" is a journey into a supposedly humorless time. In the Third Reich, however, the Führer and his Nazi bigwigs were laughed at. The political jokes of the Hitler years were a barometer of true public opinion. But those who dared to make jokes critical of the regime lived dangerously. In the early Nazi era, Hitler jokes were punished as "insidious", during the war even as "undermining of military strength" and the penalty was the death penalty! The conflict with the Nazi authorities ended more mildly for other pranksters: the cheeky cabaret artist Werner Finck was deported to a concentration camp, but was released again.
Handmade utopias - a filmic search for the worldwide phenomenon of the micronation movement. Do-it-yourself states that have distanced themselves from the economic and political mainstreaming of globalization. A road movie covering land, water and the wildest realms of the imagination. Simultaneously creative documentary and pulsating cultural portrait, the film traces a new "unplugged" generation - their motives, their anxieties and their dreams.