10 minute experimental film.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
The story of Bari Lai Lai Lai follows Sita, a passionate writer who plans to create a vibrant music video. She enlists two models, Nikhil and Sanchita, to bring her vision to life. Nikhil, a strong and confident man, meets Sanchita, a beautiful and charming young woman, for the first time at Tower Bridge in London. From the very first moment, Nikhil is captivated by Sanchita's elegance, proving that first impressions truly last forever. As the music video unfolds, their chemistry grows naturally, and what begins as a professional collaboration blossoms into genuine love. The two fall for each other during the shoot and eventually start living together, their romance becoming a heartfelt part of the story behind the song. This music video combines the themes of love, destiny, and the magic of a first encounter against the iconic backdrop of London.
An unlucky Birthday boy must fight for his life against a masked psychopath.
When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.
A crafty child who wants to see his mother again after her death, finds a way to do it.
Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.
A Japanese tokusatsu kaiju proof-of-concept short film directed by Takeshi Yagi and written by Yagi, Todd Silverstein, and Jordan A. Y. Smith. It is the end result of a tokusatsu film production course taught by Yagi for the online subscription service Narō. Though only about 6 minutes of footage was cut together and shown at Tokyo Comic Con on November 24, 2022, Yagi and his crew intend to put proceeds from course subscriptions toward getting AKARI made as a feature film or television series. It stars the titular Akari, a woman turned giant with alien technology, fighting off a berserk cybernetic monster.
Marge Gunderson, the still pregnant police chief of Brainerd, Minnesota, investigates the murder of a town pharmacist, shot in a snowy parking lot by a stranger who was helping jump his car battery. Meantime, an old man dies of exposure in his ice fishing house, leading one of his sons to kidnap the body. Snow, snow, everywhere.
Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West's limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier.
Fictional vampires have long stalked the world of movies, books and comics, but a new international subculture has emerged that takes things to an arguably unhealthy level. What would compel willing victims to donate their own blood to be consumed by self-proclaimed vampires? Real-life blood-drinkers are interviewed, as well as make-up artists, vampire hunters, psychologists and experts of all stripes.
A girl is haunted by an evil spirit in her family home. Several bad things begin to happen around her house and to her family members. An old character rises back and tries to save the family from their doomed fate.
Kim and Pie are in love, but after graduation they have to travel into two different directions for their internship; Kim is going to work in a farm in the northern province of Nan, while Pie is going South to work in a fishery center. Their love is being tested by the distance between them.
Schools out, and Fred Figglehorn's dream of water slides, horseback riding and monkey butlers during the summer turns into a nightmare of gruel and poisonous berries when his mom signs him up to an unsanitary camp.
In 18th century London, a vivacious young woman becomes a chambermaid for a brothel madam.
A pair of Italian filmmakers go to Rome to find a star for their first project.
Something I know or something I was told? When something scalding translates something to behold.
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.
A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
10 minute experimental film. Warning: this video involves frequent strobing.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Wax and wane until there is naught but boring pain.
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Perception becomes reality, forcing reality to lose perception, crash, and burn.
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."