Suicide Sequence 3D
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When The Organ Played "Oh Promise Me"(en)
Auroratone films were produced by the Auroratone Foundation of America Inc. in Hollywood, Los Angeles, California. The films showed crystal-like abstract color patterns that changed and blended with each other. The patterns were produced by using crystallizing chemicals and polarized light, which were then synchronized to a variety of recorded musical tracks. The process was developed by English psychologist and scientist Cecil Stokes, who was the founder and technical director of the company. Stokes was issued patent 2292172 on August 4, 1942, for "Process and Apparatus for Producing Musical Rhythm in Color". (Provided by Wikipedia)
Moonwalker(en)
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An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.
Piz Regolith(de)
A postmodern Swiss-Tyrolean ensemble ventures into remote mountainous regions, embracing the sonorous variety of local vernaculars. A poetic road movie with stunning shots and an emphatic approach to a new alpine aesthetics.
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Bedways(de)
A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.
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Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.
Arquivos Kino-Pop(en)
Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.
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In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
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Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
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Wax and wane until there is naught but boring pain.
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How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
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