Live performance of Alban Berg's opera at the Gran Teatre del Liceu, Barcelona. Inspired by "Pandora's Box" by Frank Wedekind, Lulu describes the social ascent and the demise of a deadly woman, driven by men to behave in murder, to her own. dead.
Lulu
Gräfin Geschwitz
Schigolch
Wardrobe Mistress / Groom / Schoolboy
Medical Specialist / Prince / Manservant / Marquis, Professor
Stage Manager / Banker
Alwa
Animal Trainer / Athlete
Dr. Schön / Jack the Ripper
Live performance of Alban Berg's opera at the Gran Teatre del Liceu, Barcelona. Inspired by "Pandora's Box" by Frank Wedekind, Lulu describes the social ascent and the demise of a deadly woman, driven by men to behave in murder, to her own. dead.
2011-12-01
8
The Six Wives of Henry VIII: Live at Hampton Court Palace is a live album from the English keyboardist and composer Rick Wakeman, released through Eagle Records on 5 October 2009. The album is a live recording of the second of two sold-out concerts on 2 May 2009 at Hampton Court Palace in London. It documents the first live performances of Wakeman's 1973 instrumental concept album The Six Wives of Henry VIII in its entirety, in celebration of the 500th anniversary of Henry VIII's accession to the throne. Wakeman performs with his band, The English Rock Ensemble, the Orchestra Europa and the English Chamber Choir.
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
Chicago literary agent, Anne Harper, vacations to a remote cabin in the Upper Peninsula of Michigan. While there, a disgruntled writer is waiting in the shadows to seek his revenge.
Deep within the hidden chambers of an ancient Egyptian pyramid, a shocking discovery is made: the mummified remains of an alien shark. Guarding this creature is a vengeful mystic who brings the beast back to life, unleashing it upon a group of unsuspecting researchers.
Through the summer breeze and the isolation. Time is still time, and that can't be changed. sunsets-don-t-l
Al Pereira arrives at the "House of Vice" and receives orders to spy on a crime ring called the Quadriumvirate, who deal in prostitution and drugs.
A young woman Skyping with her long distance boyfriend late night realizes that an ancient evil presence may have been unleashed upon her.
When a film company scouting locations for their next feature discover the footprint of a large creature, it sets them on a path of death and destruction. They decide to turn a camping weekend into a film documentary on the beast which has terrified the area for years. Camped out in the heart of the creature's home, the weekend turns into a fight for survival. Will any make it out alive?
In a groundbreaking project developed by MISCELLANEOUS Productions, a group of multi-barriered youth collaborated with a team of professional artists on POWER, an evening of solo performance pieces, ensemble drumming and dance numbers, all of which take a raw, honest look at the things that matter to youth in the community: power, racism, immigration, poverty, violence, sexism, addiction and love, presented at Vancouver’s Rhizome Café. This documentary focuses on four young artists -- Roberto, Natasha, Dakota, and Michael -- showing their struggles and their transformation through performance.
After a conflict with his boss, a newspaper editor dives deep into the festering streets of Manhattan to find a way out of this toxic newspaper game.
Katrin and Max are a couple. She examines police colleagues for her workability, he is a Kripo commissioner. When Hansen, the chief commissioner, is placed at his side, everything changes.
Set months after the events of Mobile Suit Gundam Unicorn, the story focuses on two former Principality of Zeon Remnants, Former Weapons Developer Arlette Almage and Former Test Pilot Danton Hyleg. Both of them are hired by the Earth Federation Forces research team to investigate the remains of the asteroid base Axis. But upon their arrival, they encounter a Cyber Newtype, Quentin Fermo, who pilots the mysterious mobile suit, the RX-78AN-01 Gundam AN-01. Tristan attacks them for unknown reasons.
An old lady, Shobharani Basu, is found dead in her apartment. A self-appointed private investigator calls it a murder. What could be the cause of her death?
Lafras Verwey (58) has worked as a clerk in the Civil Service in Pretoria for thirty years. By day he sorts files and whiles away the mundane hours writing grandiose propaganda speeches and drilling imaginary platoons in the washroom, but unbeknownst to his colleagues he is also a clandestine parcel courier for a secret organization that recruited his services to complete their covert mission.
The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.
David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.
Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.
Richard Strauss's opera, from the Royal Opera House, Covent Garden.
Live performance from the Opéra National de Paris, 2003.
Live performance from Zürich Opera House, 2001. “Vesselina Kasarova’s Rosina turned this Barber into a major event. Pearling coloratura, endless resources of vocal colour and nuance and phenomenal acting versatility became mere means to an end: that of making Rosina into a human being of flesh and blood, with heart, humour and considerable brains.
Renée Fleming stars in the title role of one of Handel’s greatest dramas, seen in Stephen Wadsworth’s 2004 Met premiere production. Rodelinda is faced with an impossible dilemma: With her husband Bertarido believed dead, she either has to marry the despised Grimoaldo (the elegant Joseph Kaiser), who has usurped her husband’s throne, or see him murder her son. But Bertarido (leading countertenor Andreas Scholl) is alive and eventually reclaims both throne and wife—and makes peace with his enemies. Stephanie Blythe is marvelous as Eduige, Bertarido’s sister, who is betrothed to Grimoaldo but turns against him. Baroque authority Harry Bicket conducts.
This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment.
The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.
Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.
"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccinis other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccinis great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the worlds leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.
A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.
"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people." — from the DVD cover
Production of Mozart's opera about the Spanish nobleman who seeks to rescue his beloved Konstanze from the hands of the Pasha. Karl Bohm conducts the Chorus and Orchestra of the Bayerischen Staatsoper with the right balance of serious purpose and light lilting lyricism. This production, staged by August Everding with set and costume design by Max Bignens, was filmed from a live television production relayed on the First Programme (Channel 1) of German television on 25 April 1980,