Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.
A Shepherd Boy
A chronicle of the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II.
When siblings Judy and Peter discover an enchanted board game that opens the door to a magical world, they unwittingly invite Alan -- an adult who's been trapped inside the game for 26 years -- into their living room. Alan's only hope for freedom is to finish the game, which proves risky as all three find themselves running from giant rhinoceroses, evil monkeys and other terrifying creatures.
World War II soldier-turned-U.S. Marshal Teddy Daniels investigates the disappearance of a patient from a hospital for the criminally insane, but his efforts are compromised by troubling visions and a mysterious doctor.
Born under unusual circumstances, Benjamin Button springs into being as an elderly man in a New Orleans nursing home and ages in reverse. Twelve years after his birth, he meets Daisy, a child who flits in and out of his life as she grows up to be a dancer. Though he has all sorts of unusual adventures over the course of his life, it is his relationship with Daisy, and the hope that they will come together at the right time, that drives Benjamin forward.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
The Bride unwaveringly continues on her roaring rampage of revenge against the band of assassins who had tried to kill her and her unborn child. She visits each of her former associates one-by-one, checking off the victims on her Death List Five until there's nothing left to do … but kill Bill.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
From the heights of notoriety to the depths of depravity, John Forbes Nash Jr. experiences it all. As a brilliant but socially awkward mathematician, he made a groundbreaking discovery early in his career and stands on the brink of international acclaim. But as the handsome and arrogant Nash accepts secret work in cryptography, he becomes entangled in a mysterious conspiracy. His life takes a nightmarish turn and he soon finds himself on a painful and harrowing journey of self-discovery.
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Keller Dover is facing every parent’s worst nightmare. His six-year-old daughter, Anna, is missing, together with her young friend, Joy, and as minutes turn to hours, panic sets in. The only lead is a dilapidated RV that had earlier been parked on their street.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer; a train that travels around the globe via a perpetual-motion engine.
Two leading computer scientists work toward their goal of Technological Singularity, as a radical anti-technology organization fights to prevent them from creating a world where computers can transcend the abilities of the human brain.
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.
All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.
Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.
The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.
An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
Richard Strauss's opera, from the Royal Opera House, Covent Garden.
The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.