Donizetti: L'elisir d'amore(2012)

Verdi: Falstaff (Teatro Regio di Parma)(it)

Part of Tutto Verdi series - Falstaff (2011) Parma. 'Falstaff' is an opera in three acts by the Italian composer Giuseppe Verdi (1813–1901). The libretto was adapted by Arrigo Boito from Shakespeare's 'The Merry Wives of Windsor' and scenes from 'Henry IV, parts 1 and 2'. The work premiered on 9 February 1893 at La Scala, Milan

The Latin Explosion: A New America(en)

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

Teremin(cs)

Lev Sergeyevich Theremin was a pioneering Russian inventor whose eponymous instrument, the thereminvox, revolutionized electronic music; between 1928 and 1938 he enjoyed triumphs in America - sold-out concerts, mass production of his instrument, and high society acclaim - before the Wall Street crash, personal upheavals, and waning fame led to his enigmatic 1938 return to the USSR. Against all expectations, after surviving Stalin’s notorious Magadan labor camp, he resumed work for Soviet secret services and lived on until 1993, passing away at the age of 97.

Six A.M.(en)

After drinking all night, Monty and his friend try to get home, but it turns out to be not easy. The next day, Monty tries to win the heart of a theater actress.

The Love Potion(da)

The pharmacist Peter Pille and Colonel Sejrsberg's beautiful niece, Inger, are in love. Unfortunately, the Colonel is against the idea of an engagement and generally detests men who court young girls. Peter Pille finds out that the Colonel's negative attitude is due to jealousy and envy, because he himself has never really had luck with the ladies. Maybe a homemade love potion will do the trick? (stumfilm.dk)

Welcome, Violeta!(pt)

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

Pot De Yaourt(fr)

Angel Of Decay(en)

Follows the true case of the infamous serial killer in the 1970s.

Mutant Species(en)

A rocket containing bio-hazardous material to be disposed of by launching into space crashes in a remote wooded area. An army team is sent to recover it. One of the men is infected and mutates into a monster, killing most of the rest of the team. One man escapes with the help of a brother & sister who live in the woods. He then tries to stop his former buddy, while also fighting against another army team sent in to destroy everything. The bio-material was supposed to create a super-soldier, was banned, and the crash of the rocket appears to have been deliberate so the experiment could proceed. But who is behind it all? And will others be infected?

Katie Fforde - Zum Teufel mit David(de)

Maratabat(tl)

When the people of Maratabat finally realize that their time under the corrupt politician clan of the Abubakars has to come to an end— a series of violent acts occur one after another. The people rally behind another clan –the Mahardikas – to end the violence and place a new leader in their region. Will the Mahardikas choose a path of violence or peace? Will it be for honor or will it be for pride?

Art in the Public Eye: The Making of Dark Star Park(en)

This piece documents the process behind the creation of Holt's major public art installation, Dark Star Park, in Arlington, Virginia. The park, which features giant concrete spheres and pipes, allows the visitor to reconsider the experience of space, earth and sky within an urban context. It also serves as a kind of contemporary Stonehenge: once a year, on August 1 at 9:30 am, the shadows of the objects exactly align with outlines on the ground. Interviews with the artist, the architects, engineers, contractors, and the public, among others, reveal Dark Star Park as both a public sculpture and a functioning park that reclaims a blighted urban environment.

Not Such a Pleasantville(en)

A newcomer, Simintha Cringe, arrives in Pleasantview, hopeful for a fresh start. But odd occurrences soon disrupt the calm: neighbors act suspiciously, shadows move where they shouldn’t, and the line between reality and nightmare blurs. The tension builds until the truth about Pleasantview’s dark underbelly is revealed — and it’s far worse than expected.

Die Alpenklinik(de)

After an alleged malpractice that led to the death of his brother, heart surgeon Daniel Guth took the consequences: he gave up his beloved job and retreated into the solitude of nature. At his place of refuge, the Salzburg mountains, the heiress to a private clinic is desperately looking for a capable chief physician. Daniel declines the post, although he finds the woman attractive. When a boy is seriously injured in a bus accident, he is confronted with his trauma again.

FReIGHT(en)

A handyman arrives to his last job...

The Man Without a Face(en)

Without a job and no money to spend, Blanche Mery (Gina Manès) has to accept a job offered by Gunter (Édouard Mathé), a strange millionaire wearing the black mask.

Love in Russian 2(ru)

Los Archivos Privados de Pablo Escobar(en)

The Private Archives of Pablo Escobar

Rappaccini's Daughter(en)

Set in 18th Century Italy, RAPPACCINI'S DAUGHTER is the tale of a young scholar named Giovanni (Kristoffer Tabori) who falls in love with a beautiful, yet forbidden, girl who tends her father's poison garden. However, the strange and unearthly beauty of Beatrice (Kathleen Beller) masks a terrifying curse which Giovanni must tragically discover. Her father, the mysterious Dr. Rappaccini, has made her the subject of a diabolical experiment. In Giovanni's attempt to free Beatrice from the control of her father and to escape the poisonous effect she begins to have on him, he unwittingly destroys her. From the short story of master American novelist Nathaniel Hawthorne, two quintessential Hawthorne themes are explored: the sins of interfering with another's soul and the futility of trying to tamper with nature.

Lady Macbeth of Mtsensk(ru)

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

Giovanna D'Arco(en)

With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.

Amadeus(en)

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Abesalom and Eteri(ka)

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

The Metropolitan Opera: Turandot(it)

Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.

Cosi Fan Tutte(it)

Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.

The Metropolitan Opera: Norma(it)

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

The Metropolitan Opera: The Exterminating Angel(en)

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: Luisa Miller(it)

Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.

Farinelli(fr)

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

The Metropolitan Opera: Roméo et Juliette(fr)

Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.

Verdi: Nabucco(it)

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

Madama Butterfly(it)

Opera at La Scala Milan

Strauss: Elektra(en)

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.

Fidelio(de)

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

Don't Look Now... We're Being Shot At!(fr)

During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.

The Metropolitan Opera: L’Amour de Loin(fr)

Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.

Car Men(xx)

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

Tosca(it)

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.

The Metropolitan Opera: Aida(en)

The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.