The city and its parking lots.
The city and its parking lots.
2014-03-26
3.2
parking lot
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Passing all four seasons for a day, she is on her way back. And then, she falls into a peaceful sleep with a cozy feeling that doesn't exist anywhere.
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.
Comedian Rik Mayall died suddenly on 9 June 2014. Mayall's blend of rocket-fuelled physical comedy, surrealism, subversive satire and pompous punk wit left a body of work that spanned four decades. Mayall's characters include the Black Country's investigative nerd Kevin Turvey, Felicity Kendal-adoring student and 'People's Poet' Rik in The Young Ones, ruthless MP Alan B'Stard in The New Statesman, seedy loser Richie in Bottom and larger-than-life characters Robin Hood and flying ace Lord Flashheart from Blackadder. Narrated by Simon Callow, this programme salutes Rik Mayall and celebrates his part in the UK's comedy history using rare and unseen archive footage. It also features contributions from people who knew or admired him, including Michael Palin, Simon Pegg, Lenny Henry, Ben Elton, Alexei Sayle, Christopher Ryan, Tim McInnerny, Jools Holland, Ruby Wax and Greg Davies.
An examination of Charles Chaplin's final starring film.
At the Gotham City library, Barbara Gordon helps Bruce Wayne find a book on butterflies so he can prove a point to a friend, a millionaire explorer. As Bruce and his youthful ward, Dick Grayson, are leaving they spot the villainous Killer Moth and three of his henchmen and, suspecting they are up to no good, determine to return as their superhero alter-egos, Batman and Robin. While the Caped Crusaders are donning their costumes, the criminal quartet knock out the millionaire, lock Barbara in an alcove and prepare to spirit their victim away. When the Dynamic Duo attempt to capture the crooks, they are encased in Killer Moth's silk cocoon. Is this the end of our Gotham City heroes? And why does a beautiful librarian have a cowl and a cape hanging in a convenient closet?
The seemingly random murder of a jogger in woodland and the detonation of car bombs in central Ystad are but diversions to busy the police whilst a security van are robbed of 15 million kroner. Isabelle and Portus witness this and give chase but are attacked by the criminals and hospitalized. Given the security firm's meticulous contingency plan Wallander suspects a leak from the inside and aims for Micke Sterner, a compulsive gambler and the only staff member to know the encoded transit schedules. But some private sleuthing by over-worked Svartman, who has found the robbers' den, and Wallander's suspicions of an ex-cop turned security officer with connections to the firm provide the real break-through.
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
Some government chemicals have been dumped by the town of Pittsburgh. Local law enforcement knows about the problem. They try to contact the government, but they, of course, deny all knowledge of it. The biggest problem of all is that the chemicals have caused a zombie outbreak. Yes, the dead are rising from their graves, invading Pittsburgh and eating its residents. It's up to local law enforcement to put an end to the threat.
18 years old, June, on my way home. Today is a usual,ordinary day. But One thing, different from usual is that today is Koichis’birthday. An important day for Natsumi. After school, it’s raining. Natsumi awaites Koichi at the school gate. She want to give him a present, but he's holding a bouquet of flowers in his hands. She’s not sure who gave him these, so hesitates. "Let's go" It's Koichi's words that kicks off the time for the two, so ordinary, yet so special.
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.
A group of children are playing hide and seek. Lei goes the furthest. He sits by the river and nobody finds him. 20 years pass in the blink of an eye.
Jerry mixes and drinks a high-acceleration potion which renders him so fast that he eats all of Tom's food before the bewildered cat can even see him.
1991 was the year when the normally dominant Honda Marlboro McLaren team received a shock! The Williams-Renaults, when reliable, were by far the most competitive cars in the Championship. Ayrton Senna thoroughly dominated the early races of the '91 Championship but it soon developed into a tense-way battle as Nigel Mansell clawed his Williams-Renault into contention. The FIA F1 World championship continues to be at the pinnacle of world motorsport. The reason is clearly shown in this compilation packed with unseen film material including interviews and on-board camera shots held back especially for you to enjoy.
«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»
In California's Bay Area, a painful memory lingers of the Port Chicago disaster of WWII, when hundreds of the Navy's first Black Sailors perished, and the White officers in charge were protected by the chain of command.
Vila das Torres was a self-built community based on one of the largest urban gardens in Rio de Janeiro, below the energy towers of the Light Company and next to the train lines. Eight years after its removal for the construction of Parque Madureira, former residents report their memories.
In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.
In this short documentary, the life story of Buck Southworth as a U.S. Air Force aircrewman is told and narrated by his wife, Priscilla Southworth, now a Cemetery Volunteer at Cape Canaveral National Cemetery. This is a remarkable and touching documentary about bravery, mission and love.
Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.
An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.
This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.
Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.
January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.
Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.
RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.
My grand father Wilhelm was a former Wehrmacht soldier. I have been filming him since my adolescence. After his death, I opened a box with memories from WWII he never showed anyone. Did I ever question him on his past? I can’t remember…
Flora, 30, is a French geneticist. She analyzes what is transmitted or not between generations. She lost her parents who were fervent Maoists within the proletarian Left from the end of the 1960s. She must now sort through her parents' apartment: what to choose to keep or not from their memory?