

Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.


Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
1928-03-26
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A barber who mistakenly believes he has killed a burglar and seeks shelter in the home of a manicurist.
0.0Rosalind Joy is a constantly imperiled heiress to a fortune in gold. An 18 part adventure serial
0.0Adventures of an American Secret Service-girl in search of an important German secret during the war. Chapters: [1] “The Great Secret,”; [2] “Marked for Death,”; [3] “The Gas Chamber,”; [4] “Below the Waterline,”; [5] “The Acid Bath,”; [6] “The Unknown,”; [7] “The Betrayal,”; [8] “A Crippled Hand,”; [9] “Woes of Deceit,”; [10] “The Inn of Dread,”; [11] “The Death Studio,”; [12] “The Chance Trail,"; [13] “Wings of Mystery,”; [14] “The Hidden Way,”; [15] “The Secret Host"
0.0One of the two earliest horror films ever made. This film is presumed lost.
0.0One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
0.0A film buff's obsession with an elusive, possibly nonexistent film spirals into a dangerous descent, blurring the line between reality and madness.
0.0In medieval Italy, a group of men plot to kill a cruel and despotic duke.
0.0It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
5.0Feature version of the American serial film, produced for export only, never exhibited in the USA, and believed to be a lost film.
0.0Feature version of the American serial film of the same name, edited for exhibition overseas only, never exhibited in the USA in any medium, and evidently a lost film.
Feature version of the 1945 American serial film of the same name, composed for export only, never seen in the USA and now evidently a long-lost film.
0.0Feature version of the 1942 American serial film of the same title, prepared for the export market, never seen in any media format in the United States, and apparently a lost film.
0.015 chapter mystery serial: [1] “The House of Secrets,” released 5 April 1915; [2] “The Face of Fear,” released 12 April 1915; [3] “The Silver Cup,” released 19 April 1915; [4] “The Ring of Death,” released 26 April 1915; [5] “No Other Way,” released 3 May 1915; [6] “The Strength of Love,” released 10 May 1915; [7] “Into the Night,” released 17 May 1915; [8] “In the Wolf’s Den,” released 24 May 1915; [9] “The Iron Hand of the Law,” released 31 May 1915; [10] “The Inspiring Sword,” released 7 June 1915; [11] “The Valley of the Shadow,” released 14 June 1915; [12] “The Sacrifice,” released 21 June 1915; [13] “The Man Who Did Not Die,” released 28 June 1915; [14] “A Story of the Past,” released 5 July 1915; [15] “The Coming of the Kingdom,” released 12 July 1915.
6.7This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.