1915-01-01
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Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.
A hobo takes revenge to a miller who didn't give him something to eat.
A gangster falls for a blind violinist, only for his mobster rivals to kidnap her.
When her father goes broke in the stock market, Jane Lee is forced to leave her prestigious boarding school. Glad-handing John Brock, an old friend of Jane's father, arranges for the girl to be hired as his stenographer. But Brock's lecherous ulterior motives become obvious when he locks Jane in the office and tries to rape her. When she manages to escape his advances, Brock vengefully frames the girl on a robbery charge.
An important customer at Armande's, where Iva Seldon works as a model, is Billy Ravensworth, who purchases expensive gowns for a heartless vampire named Rita Challoner. When Billy pays for a number of gowns with a bad check, Iva is sent to Rita's home to collect the finery, and there she meets Bertrand Seldon, whom she recognizes as her own father, a society man who had deserted his wife years earlier and never acknowledged Iva. Rita learns that Billy is poor and breaks off their affair, after which Iva persuades him to pose as her fiancé so that she might enter society. Billy is content to maintain the masquerade in exchange for Iva's money, but soon finds himself jealous over her apparent romance with Bertrand. Iva agrees to accompany Bertrand on a drive, but the car plunges down a cliff, whereupon she reveals her identity. Before his death, Bertrand at last recognizes his daughter, and with his fortune, she and Billy begin a new life.
Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!
The heavily indebted baron Henrik von Hagen, who loves women and partying, learns that his former lover, Russian ballerina Madame Vera Vasiljevna, will be visiting Finland. They are reunited and sparks fly. But Vasiljevan's new hobby casts a shadow over their romance.
A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
A man is framed for the murder of his uncle, a bank president, and sentenced to hang. His sister and a mail clerk who's helping her discover information that may clear him, but they have to get to the governor in time to present their new evidence and get a stay of execution.
A motherless child has a tumultuous existence, but she eventually becomes a famous international opera singer. Past and present meet when she performs in her original home town.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Vera, a woman of questionable character places a wager that she will be able to destroy a happy marriage and inveigle the husband into becoming her lover. She succeeds to the extent of a midnight tryst in the family's home, witnessed by the couple's 12-year-old daughter. Her resolve weakened by the child's piteous pleas, Vera deliberately loses the wager, freeing the sadder-but-wider husband to return to his forgiving wife.
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men; the first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.
In a wealthy society family, the mother is forced to sit by and watch while her husband and son both compete for the affections of a pretty young temptress.