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0.0From the sound of mountains and endless expanses, to the heavy pulse of the big city. Norwegian jazz is loved by fans all over the world. How did small Norway become a big jazz country?
7.1In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
7.5A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.
0.0An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
7.7Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
4.5When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.
6.0American dancer and choreographer Hermes Pan recalls his life and work as he relives the glorious history of the Hollywood musical.
7.3Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
7.5Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
0.0Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.
0.0Filmed with an intimate three camera shoot by Antonio Ferrera, a close friend of John Zorn and a long time cameraman for the documentary masters the Maysles Brothers, this concert film captures the band performing a set of Zorn's Masada compositions at their home base in the Lower East Side, Tonic, in the summer of 1999.
0.0Imagine an AM Radio Station with a dawn to dusk license that played nothing but jazz and comedy records. Did I mention it FLOATED in the Ohio River and changed the culture of a Community? The history of Cincinnati Jazz is long, wide, diverse and in the case of WNOP sometimes beyond belief. Saxophonist turned filmmaker Christopher Braig's second Film will focus on the people, music, and cities that kept "The Jazz Ark" sailing for 42 years from 1968 to 2000.
6.8In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
0.0Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...
0.0Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.
6.6An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
6.6Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."