Jazzeventyret

Norman Granz’ Jazz in Montreaux presents The Clark Terry Sextet ’77(en)

Clark Terry has been described as 'possessor of the happiest sound in jazz'. A veteran of Duke Ellington's orchestra, he began to perform as a soloist in the sixties and established a reputation as one of the great teachers of jazz music, which continues to the present day. In this performance from 1977, he is joined by an all star band including Oscar Peterson, Ronnie Scott, Niels Pedersen, Joe Pass, Bobby Durnham and Milt Jackson.

American Pop(en)

The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.

Slavné jazzové spirituály(cs)

The recording of a concert by the Martinů Voices vocal choir, conducted by Lukáš Vasilek, at St. Wenceslas Church in Opava presents listeners with a repertoire of famous spirituals in spectacular and virtuoso jazz arrangements. Spirituals, a phenomenon of American culture, gained popularity primarily for their catchy melodies and rhythms, which formed the basis for the emergence of jazz in the early 20th century. The program features mainly arrangements by Henry Thacker Burleigh, an African-American composer whose spiritual music influenced the work of Antonín Dvořák, among others.

Miles Davis: Live in Europe 1969(en)

LIVE IN EUROPE 1969 lives up to the Miles Davis Bootleg Series mission of presenting live performances that are previously unreleased, have previously only been bootlegged, or are very rare. This new set is the first collection of Miles's Third Great Quintet, the "Lost" Band of 1968-1970 with Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette at their peak (they were never recorded in the studio). The album captures the short-lived quintet in three separate concert settings, starting with two full-length (one hour-plus) sets at the Antibes Jazz Festival in France, in Stockholm as part of "The Newport Jazz Festival In Europe," and completed with a stunning 46-minute performance at the Berlin Philharmonie, filmed in color. Recorded 11/7/69 at Berliner Jazztage in the Berlin Philharmonie 1. Introduction by John O Brien-Docker 2. Directions 3. Bitches Brew 4. It s About That Time 5. I Fall In Love Too Easily 6. Sanctuary 7. The Theme

The Sound of Seeing(en)

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Hiromi's Sonicbloom: Live in Concert(en)

Recorded Live at Tokyo International Forum Hall A on December 9th, 2007

Dejohnette, Hancock, Holland and Metheny in Concert(en)

Jack DeJohnette - Drums, Herbie Hancock - Keyboards, Dave Holland - Bass, Pat Metheney - Guitars. For the first time, these four masterful musicians come together to form a jazz group most people would never expect to see happen. Taking their collaborations around the world, they toured Canada, Europe, Japan, and the United States, performing concerts and festivals to sold out audiences and rave reviews. On June 23, 1990, this extraordinary group performed two concerts at the Mellon Jazz Festival at the Philadelphia Academy of music. Both shows were filmed and have been carefully edited to create a technically flawless video of a truly "once in a lifetime" event. All of the songs were selected with great care, as might be expected from a band of this caliber.

Paris Blues(en)

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

Brüder Kühn: Zwei Musiker spielen sich frei(de)

Assolo(it)

Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...

New York, New York(en)

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

André 3000 - New Blue Sun (Listening)(en)

"I swear, I wanted to make a “visual album” but this is literally the way the wind blew me this time."

T-Square Super Band - Concert tour 2008 Final Wonderful Days(en)

T-Square's 30th anniversary concert.

Blues in the Night(en)

A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.

Bird(en)

Saxophone player Charlie ‘Bird’ Parker comes to New York in 1940 and is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.

Nice Girls Don't Stay for Breakfast(en)

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

Louis Armstrong: 100th Anniversary 1901-2001(en)

A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.

Spaceways(en)

A music documentary made with Sun Ra.

Jazz Icons: Art Blakey & The Jazz Messengers Live In '58(en)

Art Blakey & The Jazz Messengers features what many consider to be one of the fi nest line-ups in the history of jazz—Bobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55 minute concert, fi lmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin,’ is the only known visual document of this infl uential band who were together for only six months.

Stop for Bud(da)

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."