Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…

Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…
2001-01-01
10
7.2Arriving in Moscow, Chechen War veteran Danila meets Konstantin, an old friend who tells him that his twin brother has been forced into signing a crooked contract with a US ice hockey team. Soon after this meeting, Danila discovers Konstantin dead and he sets out to avenge his death; a journey that leads him to Chicago and a whole new experience.
7.5A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.
6.1In a world ravaged by a virus infection, turning its victims into the Undead, Alice continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.
6.3A music group and a journalist cross the region of Basilicata by foot to attend a music festival.
6.1Adeline's Chinese housekeeper suddenly disappears, leaving behind a little boy who doesn't speak a word of French. Helped by her sister, she takes care of the child and proceeds to locate the mother.
7.1In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.
7.3In this prequel to the original, a bloody power struggle among the Triads coincides with the 1997 handover of Hong Kong, setting up the events of the first film.
7.1In 1967, OSS 117 is sent to Brazil in order to retrieve a microfilm list of French Nazi sympathizers, only to once again unknowingly set foot into a bigger international intrigue.
7.1Decades after his play first put gay life center stage, Mart Crowley joins the cast and crew of the 2020 film to reflect on the story's enduring legacy.
5.3Snatched off the street and held for ransom, a bound and gagged woman uses her limited powers to derail her two masked abductors' carefully laid plans.
5.6A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo, a mean high school prank goes horribly wrong, and strange things begin happening in a Chicago apartment building.
5.8Decorated Vietnam hero, Frank Vega returns home only to get shunned by society leaving him without a job or his high school sweetheart. It's not until forty years later when an incident on a commuter bus makes him a local hero where he's suddenly celebrated once again. But his good fortune suddenly turns for the worse when his best friend is murdered and the police aren't doing anything about it.
6.6Holidaymakers arriving in a Club Med camp on the Ivory Coast are determined to forget their everyday problems and emotional disappointments. Games, competitions, outings, bathing and sunburn accompany a continual succession of casual affairs.
5.0Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
7.4A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.
5.8Now in the Far North (i.e. Milan!), Alberto has accepted to manage a program for efficiency improvement in the Italian Post. He devotes all his time and all his energy to this noble task and neglects his wife Silvia, which of course annoys her beyond limits. Things do not fare much better in Castellabate where it is rather Maria, Matta's wife, who gets on his nerves by always blaming him for his lack of ambition. One day, due to a misunderstanding, Mattia is transferred to... Milan! And on whose doorstep does he land? Alberto's of course!
5.7Mariano has been married for 10 years with Miranda, a woman way out of his league. Their small-town life is disrupted by womanizing photographer Andrea, who — struck by her good looks — offers Miranda a one-time modelling job. Albeit hesitant, the couple eventually accepts his invitation to the Seychelles...
9.3Mickey and his friends take a close look at important street safety situations and tips.
7.0The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.
6.3Johnny Knoxville of 'Jackass' releases unused material of stunts, tricks, antics and shenanigans shot during the production of 'Jackass 3D' that didn't make it into the film, as well as the hilarious outtakes.
10.0This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
8.0The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.
10.0Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.
7.6“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
10.0Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.
6.6Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.
10.0It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
10.0More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.
10.0Five young Italian climbers, Paolo Grunanger, Lorenzo Marimonti, Pietro Meciani, Lodovico Gaetani and Giorgio Gualco, members of the expedition organized under the patronage of the Milanese section of the Italian Alpine Club, reached Tamanrasset, in Hoggar, the Tuareg kingdom. From there, with a caravan of camels, they head towards the mountainous volcanic chain of Tahalra, little known to Westerners. During the exploration, climbers will climb seven virgin peaks via very difficult routes and at the same time carry out topographical surveys.
10.0Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
10.0Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.
6.8Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.
10.0In February 1966, Pierre Mazeaud and Lucien Berardini attempted a difficult first ascent to one of the summits of Garet El Djenoun, in the Hoggar massif, a mountain range located west of the Sahara, in the south of Algeria. The mountain has been preserved intact since Roger Frison-Roche's expedition in 1935. The documentary, superbly filmed by René Vernadet, won the Grand Prix at the Trento Film Festival in 1966.
10.0TSR documentary on the 1979 expedition to Algeria in the Atakor massif (Hoggar desert), organized by Geneva mountaineer Michel Vaucher and Jean-Blaise Fellay. The climbers make a dozen ascents including the famous summit of Adaouda (which means "finger" in Tamasheq, the Tuareg dialect), by several routes. Then a new route on the peaks of the southern Tezoulegs. They discover the volcanic geological characteristics of the Atakor massif and meet the nomadic inhabitants of the region, the Tuaregs, who are increasingly settling in the town of Tamanrasset.
10.0Sahara - Hutsetik Haitzera is a mountain documentary about the climbing of Tizouyag Nord in the Hoggar Desert in Algeria by the Spanish Basque team composed of Alberto Iñurrategi, Jon Lazkano, Juanjo San Sebastián, Jon Beloki and Asier Aranguren. Made by climber Alberto Iñurrategi in 2002 and produced by Iñurrategi Anaiak, it is part of the Oinak Izarretan series.
7.2This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
10.0Filmed chronicle by mountain filmmaker Mario Fantin, of the 1964-1965 expedition of the Italian mountaineer Guido Monzino to the summits of Hoggar in the Algerian Sahara with the ascents of Garet el Djenoun, Tizouyag Nord, Saouinan and Iharen. The mountain ranges of the Hoggar desert turn out to be more complex and interesting than most mountaineers suspected at the time.
6.5Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
10.0Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.