

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
6.4The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
6.3Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
7.7A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
7.7Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
7.2An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.
6.9The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
7.8Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
7.0Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
7.8The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
7.7An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece A Trip to the Moon (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.
7.0The most comprehensive retrospective of the '80s action film genre ever made.
7.1An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.
6.1A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
6.7A comprehensive 12-part documentary on the making of "Spider-Man 2," covering everything from pre-production to premiere.
7.8A look behind the lens of Christopher Nolan's space epic.
6.9A documentary about the life and films of director John Ford.
6.2Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
7.0A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
7.3Stars of "The Walking Dead," Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.
Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.
0.0This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.
0.0In 1991, John Heroux served in Operation Desert Storm, piloting one of forty F16 Fighter Planes sent in to target large manufacturing facilities deep inside Iraq. Looking back on these missions, John explains that pilots, himself included, felt no pride at causing destruction, but did have pride in serving their country and completing their tasks. This is his story.
5.3Go head-to-head with an icebreaker. Plunge down a twisting mountain gorge. Soar through the clouds in the nosecone of a jet, then speed along with a dog team as it races across a frozen Arctic lake. A sweeping, moving tribute to Canada's stunning geography and rich cultural heritage, Momentum leaps off your screen--and touches your heart. Momentum wowed audiences from around the world when it premiered at Seville, the greatest world's fair of the last quarter century.
6.8An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.
Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)
7.6A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.
10.0The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
6.4A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
0.0A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.
0.0A behind-the-scenes look at what inspired showrunner Damon Lindelof to create the HBO series Watchmen.
8.3Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
7.9Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
9.0A science fiction fantasy on skis with spectacular glacier skiing, extraordinary acrobatics, unique optical effects, and an original score. The world's polarity is mysteriously reversed, requiring the skiers to regain the realm of normal perception by performing maneuvers inspired by the ambiguous nature of the "Moebius Strip."
7.2Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
0.0The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
8.0The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
7.1An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
6.6Megacities is a documentary about the slums of five different metropolitan cities.