A short "working class road movie".
A short "working class road movie".
1970-01-01
5
A few days after a massacre in a shantytown near Beirut, the director finds the children who survived. She approaches them by offering them crayons to draw. A link is created between them. They let her film their violent games: they repeat the scenes of horror they saw unfold before their eyes ...
Spooky Scary horror 3
From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
In dire financial straits, businessman John Baird considers liquidating the bonds that are held in trust for his little daughter Margery. Failing to comprehend her husband's desperation, Virginia Baird refuses his request and, upon overhearing his lawyer advising him to utilize the bonds without consulting her, she decides to place them in the hands of George Drake, an old friend. Drake hijacks the securities, however, and their disappearance leads to the break up of the Baird's marriage, resulting in Virginia leaving the house. Attempting to console her father, Margery sets out on her pony to bring her mother home. But she is held up on the road by Captain Kidd Jr., who adopts her as his first mate, and the two children take up residence on a grass hut on a nearby island.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
Debauched parties with hot music and lots of shirtless, panty-less girls; it's all there in Munich. Everyone takes it pretty easy, only the somewhat shy Angie is shocked. She has other ideas about life and is waiting for the big love. Again and again her friends try to persuade her to join them and even when looking for a job she is only confronted with sex. First she is supposed to model for a painter - naked, of course, then she gets involved with a sex photographer and as a climax she ends up in a massage parlor. She takes flight and is totally frustrated - then she meets Charlie again, who had already helped her with a car breakdown. From now on, the events overturn...
Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny
Tujhe Dekhne Se Pehle tells the heartfelt journey of two friends, Vicky and Katrina, living in the United Kingdom. Katrina has secretly loved Vicky for a long time, but he remains unaware of her feelings. One day, Katrina invites Vicky to meet her at Tower Bridge in London. Over coffee and romantic conversations, their connection begins to deepen. Katrina takes Vicky on a memorable tour of the city, showing him iconic landmarks like Waterloo Underground Station, London Bridge, and the Parliament building. Their day ends with a car ride to Birmingham, where they stay overnight at a cozy hotel. The next morning, they visit Brean Down, a scenic coastal area. At the highest point of the walk, Katrina gathers her courage and proposes marriage. Touched and realizing his own feelings, Vicky accepts, and their bond blossoms into deep love. The music video delivers a heartfelt message: friendships can evolve into beautiful relationships, and life's unexpected turns often lead to love.
The story of the battle to free Debbie Peagler, an incarcerated survivor of brutal domestic violence. Over 26 years in prison cannot crush the spirit of this determined African-American woman, despite the injustices she has experienced, first at the hands of a duplicitous boyfriend who beat her and forced her into prostitution, and later by prosecutors who cornered her into a life behind bars for her connection to the murder of her abuser. Her story takes an unexpected turn two decades later when a pair of rookie land-use attorneys cut their teeth on her case -- and attract global attention to the troubled intersection of domestic violence and criminal justice.
"Children in the Surf, Coney Island" is a very short documentary with Billy Bitzer behind the camera.
After Hurricane Katrina, New Orleans handyman and blues singer-songwriter Gabe Recolte was bereft. Left homeless and heartbroken, he had been forced to evacuate and relocate before he could tell club owner Hattie how much he cares for her.
Memphis Depay’s new short documentary reveals his journey to Corinthians, his personal life in Brazil, and his dream of becoming the all-time top scorer for the Dutch National Team. An intimate portrait of transformation, belonging, and a deep bond with the local fans.
Released as an extra on the Depression era DVD of King Vidor's OUR DAILY BREAD, this short documentary shows how new communities were being developed, mirroring the theme of the fiction feature.
Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
From "SCTV" and "Home Alone" to "Best in Show" and "Schitt’s Creek", Catherine O’Hara collaborates with fellow performers throughout her legendary career to take comedy to new heights.
Pepedrilo and his peculiar connection with nature are embodied by the care and protection of a crocodile sanctuary, whose stability is put in danger day by day by the threat of men.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
A short documentary focusing on the surfer culture and tourism in Nicaragua.
When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.
A short documentary about the press of GoldenEye.
Documentary that tells the story of Vianney Trejo, a young woman who struggles every day despite her disability. We go through her daily routine, as well as her passion, swimming, where she has consistently achieved triumphs and has been considered for international competitions.
A unique documentary that interlaces archival interviews with author Philip K. Dick with chats featuring cast and crew. Discussed are the origins of the story, parallels the cast and crew sees to the goings-on in today's world, and adapting the story for film, modern audiences, and its unique look.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
Jeff Koons is a MOCA commissioned mini-documentary on the career of artist Jeff Koons, directed by Oscar Boyson.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.