

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
2016-11-28
2.333
0.0A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.
This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.
0.0In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
7.0Macario 'Mac' Gómez talks about his long career as a film poster designer.
6.0A walk through the landscapes of the province of Barcelona, Spain, as well as a testimony of the daily life and customs of its inhabitants.
0.0In this anxious and hectic time, Happy Life explores those unusual outlets that soothe the turmoil of the body and mind. In a meditative journey through these analgesic places, this documentary essay paints a portrait of a society in seek of meaning and relief.
0.0In Canada, the village of Val Gagné is facing a rural exodus. Life seems to be dissolving, the future is uncertain. But these Franco-Ontarian villagers are surprised by a wind of renewal. A wind that will give them hope.
5.0Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
6.0A 66-year-old mother has an unusual ritual of returning to her old family home to care for stray cats.
0.0In 2019, this short film documentaries the daily of severals subway artists in the stations of Rio de Janeiro
0.0Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.
0.0Between Parc-Extension and the town of Mont-Royal, a scar in space creates a strange dichotomy between two neighborhoods.
0.0Three friends journey through several US states in order to legally purchase marijuana
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.