Movie: Collage

Top 6 Billed Cast

Oscar de la Cueva
Oscar de la Cueva

Akira Aero
Akira Aero

Ego Rangel
Ego Rangel

Maritza Peraza
Maritza Peraza

Guillermo Rangel
Guillermo Rangel

Alexis Aviña
Alexis Aviña

Similar Movies

Paradise Now
42%

Paradise Now(en)

1970-03-21

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

DAS ES
85%

DAS ES(ru)

1996-04-12

The long flights of spacecraft have been in the past, as well as the chronicle of accomplishments. Snatches of memory bring to us the fragments of those memories that are confused and do not leave a coherent and consistent trace. All in the past. But was it really ?!

and now?
0%

and now?(en)

2015-12-16

#13, glancing, or avoiding.

Screen
0%

Screen(de)

2018-04-27

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow.“ (Kōbō Abe) Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.

The Man Whose Mind Exploded
62%

The Man Whose Mind Exploded(en)

2014-06-13

In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story. Drako Oho Zaraharzar can remember modeling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottoes delivered to him whilst in a coma.

Orange Confucius
0%

Orange Confucius(en)

2016-12-31

The lovers travel as if magical cosmic twins; but their earthbound existence induces recurring distraction, ill health, and indifference. Resolution comes, but it too is multiply doubled.

The Autumn Alley
90%

The Autumn Alley(fa)

1997-01-01

A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.

Duration-Landscape: Rocks
70%

Duration-Landscape: Rocks(gl)

2011-08-01

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

Fade to Black
0%

Fade to Black(en)

1990-02-26

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.

Listening to the Space in my Room
100%

Listening to the Space in my Room(xx)

2013-09-10

Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.

Still Lives
0%

Still Lives(en)

2016-02-26

'Still Lives' comprises a trilogy of films by Patrick Sheard; Lamenta, Libertas and Exitus, anthologized here in their entirety.

House of Harrington
70%

House of Harrington(en)

2009-01-01

Profile of the late iconoclastic director Curtis Harrington, featuring images from many of his poetic and haunting films.

The Ride
0%

The Ride(nl)

2019-01-25

A man and a woman move deeper into the dark of the night. Through the impersonal images of Google Earth, their erratic path leads us towards a place where something dramatic appears to have taken place. The only compass is the beating of the hearts that guide their way.

ACT
65%

ACT(ru)

1989-09-17

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Do not August, 1991
100%

Do not August, 1991(ru)

1994-03-10

The film was made in the days of the August 1991 coup in Leningrad, USSR . Respecting the manner of a proprietary parallel cinema with the use of hand-held camera . Subsequently, Lars von Trier in his " Dogma " went on the same way , using a handheld camera without a tripod or placing special light. The soundtrack of the film is the soundtrack Emergency Committee appeal for the All-Union Radio August 19, 1991 . The film captured the moment of change red tricolor flag on the roof of the Mariinsky Palace on August 20, 1991.

Berlin: Symphony of a Great City
77%

Berlin: Symphony of a Great City(de)

1927-09-23

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

New York Portrait, Chapter I
70%

New York Portrait, Chapter I(en)

1979-01-01

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

Ripple
0%

Ripple(en)

2020-02-19

RIPPLE, 2020. HD digital video loop & steel & hardware, duration: 5 minutes. Soundtrack by Kevin Carey.

Alma
0%

Alma(en)

2020-05-15

"The details of the script for Alma were modeled from data that the artist collected from her own digital devices. The film describes a woman who enters into a private contract with a room. The objects in the room monitor how she feels as they respond to her in real time, comforting her with their physical presence and touch. The room tracks the character’s steps and her screen time, but it also monitors impossible data points, like what she would have accomplished if she had lived a different life. The first half of the film celebrates the unreality of her wishful thinking that technology is capable of solving any problem. In the second half of the film, these optimistic ideas are traded for a catastrophic vision of her digitally connected self. In the end, she is immersed in a space that describes what it once was like to be among other people. While physically separated, she waits indefinitely in a digital rendering, surrounded by a phantom of human presence." — Jane Lombard Gallery

The Magic Sun
62%

The Magic Sun(en)

1966-01-01

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)