Luca Patuelli is an internationally renown Bboy dancer known as LazyLegz. He born with Arthrogryposis, a disorder that makes the use of his legs almost impossible. For the past few years, he has been the head of a Hip Hop dance program: Projet RAD, an urban dance program in which he gives people with disabilities a chance to follow inclusive classes in a safe environment adapted to their needs.
Himself
Luca Patuelli is an internationally renown Bboy dancer known as LazyLegz. He born with Arthrogryposis, a disorder that makes the use of his legs almost impossible. For the past few years, he has been the head of a Hip Hop dance program: Projet RAD, an urban dance program in which he gives people with disabilities a chance to follow inclusive classes in a safe environment adapted to their needs.
2016-12-18
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One hot summer, Eun-hye, a jobless who’s just knitting at home, becomes popular at ‘Munho River Market’ as an artist who draws ‘not pretty face’ pictures. When customers ask her to draw them to look pretty, she replies “But you’re already pretty”. Eun-hye takes great care for a long time to express each people’s personality and says that everyone is born pretty from the beginning. And now the number of happy faces has already reached 2,000.
This short documentary profiles the traditional music and pageantry of Polish-Canadians in Manitoba. The heritage and national traditions of Poland were brought to Canada by immigrants and sustained across generations. The colourful traditional dress and lively music of Polish-Canadians is captured by ethnomusicologist Laura Boulton, a pioneering woman in the educational documentary film movement whose goal was to “capture, absorb, and bring back the world’s music.”
On the cusp of turning 40, wheelchair badminton champion Nina Gorodetsky, has her first and maybe last, chance to participate in the Paralympics. However, she is negotiating a ticking biological clock both as a mother and as an athlete. What would she be willing to sacrifice to realize her Olympic dream?
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
"Diffability Hollywood is a documentary about Hollywood's portrayal of people with disabilities in films throughout history. One of filmmaker Adrian Esposito's main goals in making this film is to have people with disabilities portrayed in a less stereotypical way and to advocate for more inclusion of writers, directors and actors with disabilities into the movie industry.
In this intimate and extremely personal documentary, comedian and TV presenter Alex Brooker examines his disability to acknowledge for the first time how much it impacts on who he is. Alex revisits key moments from his past, uncovering both joyful and difficult memories.
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.
In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
A documentary about dancer Heinz Bosl who died in 1975 - aged 28.
A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.
Short documentary on the Cambodian Handicraft Association which trains and supports women who have been affected by polio, landmine injuries, deafness or mental trauma.
The film director Niko von Glasow undertakes a journey to athletes, who compete at the Paralympic Games in London 2012. He himself is a short-armed avowed hater of sport who cannot understand how anyone could take on such an odeal voluntarily. Even more since everyday life for people with a disability is most often challenging enough. He meets U.S.archer Matt Stutzman, Norwegian table tennis player Aida Dahlen, German swimmer Christiane Reppe, Greek boccia player Greg Polychronidis and a Sitting Volleyball team. Niko neither spares the athletes nor himself asking questions about life, sport and fears. With an ever growing appreciation for sport Niko attends the Paralympic Games and travels back to the ancient city of Olympia, where everything began and where boccia playing is prohibited.
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
Elite athletes and insiders reflect on the Paralympic Games and examine how they impact a global understanding of disability, diversity and excellence.
Sam Schmidt lived out his boyhood dream as an IndyCar racer, winning races and earning the title of IndyCar "Rookie of the Year" along the way. That dream came to an abrupt end when Sam crashed into a wall at 200 miles per hour, leaving him a quadriplegic. Reengineering SAM pulls the curtain back and shows up close the serious implications of a life of paralysis on Sam and everyone around him. Sam's accident rendered him physically helpless, never being able to brush his teeth, much less drive again, until a dedicated group of some of the brightest minds today stepped up to build him a car that he could drive, using only his head. Through groundbreaking adaptive technologies, Reengineering SAM chronicles Sam Schmidt's inspirational road back to the Indianapolis Motor Speedway and shows the promise of freedom and mobility for almost anyone confined to a wheelchair.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.