One day, Raoul Cérusier realizes with amazement that his face has changed. With the exception of an old uncle, no one, not even his wife, recognizes him. From an ordinary, rather ugly man, he has become a charming young man on whom the prettiest girls turn, including his wife whom he seduces. Fortunately, he regains his old face in time and Madame Cérusier, losing a lover, finds her husband again.
One day, Raoul Cérusier realizes with amazement that his face has changed. With the exception of an old uncle, no one, not even his wife, recognizes him. From an ordinary, rather ugly man, he has become a charming young man on whom the prettiest girls turn, including his wife whom he seduces. Fortunately, he regains his old face in time and Madame Cérusier, losing a lover, finds her husband again.
1951-05-30
4
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
The life of Tomáš Garrigue Masaryk, the first elected President of Czechoslovakia following the fall of the Austro-Hungarian empire in 1918.
Paul Atreides, now Emperor Muad’Dib, navigates his immense power while battling political foes and a conspiracy within his circle. As House Atreides faces collapse, the real danger emerges for Paul’s lover, Chani, and their unborn heir.
The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.
Through the course of several accidents and chance encounters, Hanoch and Ruben will meet and each of them will have to face a page of his personal history, a page that they both need to turn for good.
A double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.
1901, South Africa. As the Second Anglo-Boer War rages on, a wounded General seeks refuge in the small home of a woman and her young daughter. As the hurt man settles in, he begins noticing that something is off about the two women, particularly the daughter, and before long, he’ll learn the real reason for why they’ve invited him and for how they’ve survived on their own for so long.
Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.
A young down-on-their-luck couple settle for a cheap apartment that seems too good to be true. Little do they know, something lurks in the drain of the bathtub. Something that's thousands of years old...and it is hungry.
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.