A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.
Mehdi, 17, is sentenced to perform hours of community service for a minor offense. He arrives in Auvergne where he must serve his sentence - six weeks with a taciturn lumberjack, Abel Vagnier, owner of a sawmill which he operates alone with Tonton, a former wrestler. Abel, overwhelmed, accepts the placement of Mehdi, who discovers work, the countryside and life the hard way, the shock is harsh. He finds himself immersed in a universe where his bearings no longer apply. Communication, initially difficult, is slowly established despite everyone's failings...
Outside the Australian town of Jindabyne, local man Stuart Kane is on a fishing trip with friends when they discover the body of a murdered girl.
Experience high speed chases and unbelievable motorcycle mastery. Ghost Rider returns for more incredible high speed antics on the streets and freeways of Stockholm Sweden. With real police chases, crazy stunts, and close calls that make even the most experienced riders flinch. He even rides a snowmobile with no tracks down a snow-less street at high speed. A radical motorcycle video that gets your adrenaline pumping and satisfies your need for speed.If you haven't seen Ghost Rider in action before then make sure you also pick up Ghost Rider - The Final Ride. You will be in awe of the speed and technique of this motorcycle master.
ADRENALIN brings the exciting and successful BMW touring car story to the big screen. 50 years of a spectacular sport played out at race circuits around the world. Charismatic drivers and evocative racing cars from five decades plot the growth of the sport and the technology. From the drifting touring cars of the 60's to the first victory of the BMW M4 in the highly sophisticated new DTM. The legends behind the wheel tell their exciting stories and bring the golden era of touring car racing alive again.
Two French agents fight a Chinese sect that aims to control the American Secretary of Defence via high-tech medicine, so that he would start a world war.
In the ancient theater of Delphi, against the backdrop of the ruins of the Temple of Apollo, musicAeterna, conducted by Teodor Currentzis, performs Ludwig van Beethoven’s 7th Symphony, in conjunction with a new choreography by Sasha Waltz and her company.
Suraj and Aman are best friends who would die for each other. Suraj's father is brutally killed by a cop for stealing a bread to feed him. Suraj and Aman then take the life of crime to con people when they grow up they come across Pasha a drug lord and Suraj gets fascinated by his lifestyle. Aman meets Asha a club singer and both fall in love. Suraj and Aman get a contract from Pasha to kill Vicky whose testifying against him But Aman finds he is brother of Asha and decides to give away the life of crime and turn a police informer. While Suraj has become a big name in drug world and wants Pasha's throne. Suraj and Aman then part ways and Suraj blames Asha for everything and wants her dead.
Ovadia Rachmim is the strongest and most violent doorman of Tel Aviv night clubs. He and his wife Rachel are trying to get pregnant for 5 years. A small time gangster named Shalom, offers Ovadia a job, to be a debts collector, offering him a lot of money. Ovadia sees this as great opportunity to start an expensive private treatment for his wife. As soon as Rachel gets pregnant, he decides to stop working for Shalom. Shalom wants him for the most important mission. The mission in which Ovadia has to betray all his best friends. Now it's the time to pay the price of becoming a father.
Torchy Blane joins her police-detective fiance to solve a series of murders involving a set of Chinese grave tablets taken and sold to a collector and death-threats written in Chinese characters.
Recorded live at the Gewandhaus zu Leipzig in May 2017, this release features a delightful concert by the Gewandhausorchester Leipzig and conductor Andris Nelsons. For the program, the conductor has chosen works by Antonin Dvorak, including the Othello Concert Overture, and his famous Symphony No. 9 in E minor- “From the New World.
Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.
Michael Wong is walking in a circle, he is not only facing a complex human relationship as well as inharmonious relationship with some terrible persons. Those affairs push Michael to the death.
A writer who was disabled during the Korean War is now contributing a serial to a newspaper. His wife, who once adored him, is tempted by a young man she happens to know. But he overlooks her affair thanking her for her utmost care up until that time. Then the young man asks her to leave with him for a faraway place.
An ensemble piece set in a North African neighbourhood in Toulon.
Social drama about Algerian immigrant workers who came searching for work in France.
In 1906, two American brothers join the French Foreign Legion and, led by a sadistic Sergeant-Major, they defend a fort against Berber and Tuareg attack.
"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.
Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.
In the 70s, in the Goutte d'or district, three friends of Algerian origin: Poulou, a failed boxer, Amar, the clumsiest of thieves, and Jibé, a public writer for illiterate compatriots whose lives he knows in detail. As he betrays none of their secrets, he enjoys great prestige in the bistros where he works. The three of them lead a casual life, raising money by illicit means. It's only when Poulou and Amar leave that Jibé understands his isolation and marginalization. The images as well as the sounds help to reinforce the feeling that Paris is a city where he is both at home and a terrible stranger.
Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…
In 1895, young journalist Albertine Auclair arrives in the Kabylie during a family visit. The beauty of the region seduces her but she soon learns of the struggles of the native Algerians. She hears in particular about Arezki El Bachir, who was recently sentenced to death by the colonial justice system, and decides to find out more about this extraordinary man.
Pas De Blanc À La Une, by Youcef Bouchouchi, treatises the brutality of the conflict during the war of independence in Algeria from 1854 to 1962, and the systematic use of torture which pushes even the most hesitant to make up their minds.
In the midst of the Algerian liberation war, two characters, a meddah (traditional storyteller) and a guerrab (water distributor), having become aware of their subhuman condition in their own country, join the National Liberation Army (ALN) to fight against inhumane colonialism. They will climb the ranks to become political commissioners before falling on the field of honor, the first in a skirmish and the other in Barberousse prison (Serkadji) where he will be guillotined.
Bab El-Oued, a popular district of Algiers, in 1989, a few months after the riots. Boualem works at night in a bakery and steals the loudspeaker that was installed on his roof and was broadcasting the Imam's word... therefore preventing him from sleeping. This blunder is taken as a pretext by the Islamists to put the district under their control...
On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.
Selim Mechoubine, a young man of 28, is the eldest of a large family. In the cramped accommodation he shares with his parents, brothers and sisters... he occupies the kitchen, the refuge of his dreams and his many fantasies. Selim, the court clerk where divorcing couples parade..., wants to get married. His mother finds him “the rare pearl”. But now, the bride's family demands that the couple have their own home... Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.
In 1960, nine-year-old Bachir dreamed of becoming the son of a martyr because he had heard that the children of martyrs would obtain everything after independence. He sets up a whole plan to get rid of a certain François, enemy of his country, while his father, Saddek, abandoned him with his mother and brothers. Through this fiction, the film looks at the life and visions of little Algerians during the War of National Liberation. Karim Traïdia looks back on his own childhood during the Algerian war (1945-1962). On a humorous note, it tells the adventures of a young child and his innocent friends against the backdrop of a raging merciless war.
Recognizing no boundaries to her love, Angele manages to foment riots, rages and tragedy in colonial Algeria. Angele, an Algerian colonist with impeccably French origins, has fallen in love with Said, the assistant in her brother-in-law's bakery shop. Said is conscious of his Arab origins and traditions, and Angele has her work cut out for her if she wants to persuade him to marry her. Once she does, all hell breaks loose, as neither her European-origin peers nor Said's conservative Arab family approve of the union. When word of the proposed marriage gets out, strikes, violence and murder quickly follow, ruining not only Angele's life, but the lives of those around her. Her brother-in-law Paco, meanwhile, has been doggedly trying to get along and raise his family in an increasingly chaotic and difficult situation.
On November 1, 1954, near Ghassira, a small village lost in the Aurès, a couple of French teachers and an Algerian boss were the first civilian victims of a seven-year war which would lead to the independence of Algeria. More than fifty years later, Malek Bensmaïl returns to this Chaoui village, which has become “the cradle of the Algerian revolution”, to film, throughout the seasons, its inhabitants, its school and its children.
The feature film “The seven ramparts of the citadel”, a fiction recounting the conflict between an Algerian family expropriated from its land and a bloodthirsty settler; by director Ahmed Rachedi. Adapted from the eponymous novel by Mohamed Maarafia, the film, whose plot begins in 1954, tells the story of two characters, Thebti and Lucien, “the fellaga and the colonist”, a story of crossed destinies. “After having engaged in a fight to the death, after having both traveled a long path of embers, (they) finally find themselves face to face and above all each face to themselves”.