Firas, Jallow and Batoul just arrived in Berlin. They meet one another in a theatre group. They are searching for the good life in Germany - yet things don’t turn out the way they hoped. Through video letters, they reveal their deepest emotions to their families and friends back in their war-torn or poverty-stricken home countries.
Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
Within a few months, the Kutupalong refugee camp has become the biggest in the world. Out of sight, 700,000 people of the Rohingya Muslim minority fled Myanmar in 2017 to escape genocide and seek asylum in Bangladesh. Prisoners of a major yet little publicized humanitarian crisis, Kalam, Mohammad, Montas and other exiles want to make their voice heard. Between poetry and nightmares, food distribution and soccer games, they testify to their daily realities and the ghosts of their past memories. Around them, the spectre of wandering, waiting, disappearing. In this place almost out of space and time, is it still possible to exist?
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
The Neiger family was living a peaceful life in the Jewish community in Krakow when the arrival of World War II changed their lives forever. When Nazi soldiers forced the family from their home into the harsh life of the Ghetto, they made a vow to escape as a family. But when circumstances forced the family to separate from older brother Ben, their will to survive was put to the test. They Survived Together" is the incredible, true story of one family as they desperately tried to stay alive... and together as a family with four small children, attempted to escape certain death at the hands of the Nazis. They are believed to be one of the only families to escape and survive as a family.
He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.
A documentary showing a Chinese investor's attempts to turn a small regional airport in north east Germany into a major international air traffic hub.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
Escaping a refugee life from war-torn Syria sparks hope for a family looking to adapt to an American life.
Rafi, Salman, Said and Ali are all under 18 years old. They come from Afghanistan, Syria and Pakistan. After months of wandering, fleeing wars in their country, they found themselves stuck in Calais, where they are trying to survive, waiting for something better. Their dream: to get to England. How? By climbing into containers or slipping onto the axles of trucks, risking their lives. Who cares about these isolated minors in the Calais Jungle, the largest slum in Europe?
Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.
In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?
In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.
The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.
Seven adventurers embark on an expedition in the world's most hostile environment, The Arctic. Starting from the Southernmost peninsula of Spitsbergen Svalbard, they travel to the Northernmost part of the Island lasting for 40 days.
A BAFTA award nominated documentary intended for secondary schools exploring the three distinct geographical regions of Germany from a British perspective.
Hundreds of refugee children in Sweden, who have fled with their families from extreme trauma, have become afflicted with 'uppgivenhetssyndrom,' or Resignation Syndrome. Facing deportation, they withdraw from the world into a coma-like state, as if frozen, for months, or even years.
Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.
By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.