Stories for Murders(1993)

Valley of the Rulers(he)

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.

Did Britain Murder Hanratty?(en)

A documentary covering the trials of James Hanratty, perceived to be wrongly accused at the time and one of the final eight people in the UK to be executed before capital punishment was effectively abolished.

Why Does A Good God Allow Bad Things?(en)

One of the most asked questions is why a loving God allowsdeath and suffering. The heart of the Creator is revealed as Gary Bates persuasively unfolds the often overlooked issue in today's evolution-creation culture wars - the vital 'big picture' of the Gospel. Many hearts and minds were changed after hearing Gary explain the Gospel message with a powerful, yet compassionate approach.

Piet Bekaert(nl)

Short documentary on Belgian artist Piet Bekaert.

Exhumados(es)

Exposition of two different processes of forensic identification in exhumed bodies with features of violence.

Yellow Trails(es)

An identity picture and the memory of Contla village through its Día de Muertos festivity. Celebration where the making of traditional bread, an offering colocation, and the embellishment of their family get mixed with mysticism and the yearning of the people community, preserving a tradition that interweaves for moments as a remembering in the México's heart.

Kristallwachstum(de)

Experiments on the crystallization of various inorganic substances: crystallization from solution, crystallization from melt and vapour phase, mixed crystal formation, oriented growth, change from a metastable into a stable phase.

The Condemned(en)

With unprecedented access, this documentary looks into the hidden world of one of Russia's most impenetrable and remote institutions - a maximum security prison exclusively for murderers. Deep inside the land of the gulags, this is the end of the line for some of Russia's most dangerous criminals - 260 men who have collectively killed nearly 800 people. The film delves deep into the mind and soul of some of these prisoners. In brutally frank and uncensored interviews the inmates speak of their crimes, life and death, redemption and remorselessness, insanity and hope. The film tracks them though their unrelenting days over several months, lifting the veil on one of Russia's most secretive subcultures to reveal what happens when a man is locked up in a tiny cell for 23 hours every day, for life. A startling insight into inscrutable minds and the forbidding world they have been condemned to. (Storyville)

What We Ask of a Statue is That It Doesn’t Move(el)

Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?

Southern Brides(es)

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

Chodorkowskis neue Freiheit(de)

Released from prison, former oil oligarch Mikhail Khodorkovsky expounds on his newfound freedom and complex relationship with Vladimir Putin.

Making Dust(en)

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

Welles' Language(pt)

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Invisible River(es)

On a journey through the interior of the earth, we learn about the life and dreams of a swiss explorer who searches for caves and underground rivers in a sector marked by violence and armed conflict in Colombia. This underground labyrinth is a metaphor about a dark past, buried deep within the soul, where old war wounds heal with the infinite passage of time.

CARA-B(ca)

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

Llamen a un adulto (Sepiaexperimental)(es)

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Private Life: Kyle Ross(en)

Welcome to the Private Life of Kyle Ross. In this intimate documentary, you'll get to know the boy behind the star. From his corporate gig at Helix Studios to the dissolution of his high profile relationship, nothing is off the table. Intent on bending stereotypes and gracefully aging in an industry that celebrates youth, Kyle shares the work that goes into maintaining an image while simultaneously shedding it. After all, he's always enjoyed a contradiction.

Elgin Park(en)

Michael Paul Smith is a unique character. He has spent most of his reclusive life struggling through bullying, prejudices and health issues until he found a way to eliminate it all. His answer was to create a fictional town called Elgin Park. We go deep into the mind and the magic behind Michael's 1/24th-scale recreation his town.