A short making of feature about the 1966 John Frankenheimer movie Grande Prix
A short making of feature about the 1966 John Frankenheimer movie Grande Prix
1966-12-21
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Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Crash and Burn chronicles the thrilling and turbulent career of Irish racing driver Tommy Byrne, who rose from a rough, working-class background to the cusp of Formula 1 in the 1980s. Directed by Seán Ó Cualáin, the film explores Byrne's undeniable talent and rebellious personality, which set him apart on the track but also clashed with the conservative and elite world of Formula 1. Byrne’s story is filled with highs and lows, from his dominance in lower racing categories to his brief, rocky stint in Formula 1 and subsequent struggles. The documentary combines interviews, archival footage, and personal insights to portray the complexities of Byrne’s character and his “what could have been” legacy in motorsport.
A documentary about the third series of Red Dwarf (1988).
Computer animation and footage from NASA space missions explain how our solar system evolved and the place Earth has within the system.
Documentary about the making of Juzo Itami's film "Tampopo" (1985).
Four unrelated moments following a young cat wandering the living room of her house.
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.
In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.
The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.
This film, directed by Dominique GAUTIER, takes the viewer on a worldwide excursion into the history and structure of the Esperanto language, introducing its present-day speakers. The words of these users of the language are reflective of a variety of activities and viewpoints, and in the film they are interwoven so as to reveal bit by bit how the utopia of its initiator, Ludwig ZAMENHOF, is concretised every day.
At the microphone with Max Ferguson, radio satirist, as he creates his weekday-morning program. Filmed inside his CBC broadcasting booth, this film watches and records as Max ad-libs his way through zany interpretations of news events. His only script is the morning paper and with it he tilts at humbug with a flair that has made him a national figure.
The legendary treasure of Tutankhamun, which contains over 5,000 objects, including 2,000 pieces of jewelry and goldsmith's work, was discovered in 1922 by the British archaeologist Howard Carter. Now the pharaoh's treasure reveals a new secret: hidden traces of a mysterious pharaohess. In addition, a British archaeologist is said to have stolen some of the grave goods...
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.