Morena(2025)

Ocean Odyssey(en)

The largest predator on the planet, the sperm whale, is your host for an amazing exploration of the final frontier – the world at the bottom of the ocean. From the makers of the Walking With series comes this incredible marine tour, in which you'll witness a rarely seen world of hidden mountain ranges, majestic canyons, volcanoes and the beautiful and often deadly creatures that inhabit the deep sea.

Ocean Oasis(en)

Ocean Oasis is a fascinating journey into the bountiful seas and pristine deserts of two remarkably different, but inextricably linked worlds — Mexico's Sea of Cortés and the Baja California desert.

Fairless(en)

This is the story of unsung hero Steve Fairless, a country boy who represented Australia in road cycling at the Seoul Olympics in 1988. After the games, with professional opportunities limited, Steve retired from the sport to return to dairy farming to provide for his young family. He was 26 and in physiological terms, only really just arriving at his peak. However, the desire to compete never left him and at 50, Steve made a comeback of sorts. Within a season he was one of the best on the country for any age. Our film tracks his life, his comeback and his journey to the ultimate proving ground, the UCI World masters Championships in Slovenia. Steve is a great character, and his story is one of never letting go of a dream.

Pakisabi(tl)

At the height of the COVID-19 pandemic in the Philippines, amidst the rising number of cases, two families remember their loved ones as more than a statistic.

Dolphins in the Deep Blue Ocean(en)

They are inspirational, playful, powerful, interesting and very intelligent animals, which have a magical bond with the people: Dolphins. You'll see these magnificent animals in their natural habitats - reefs in Eilat, the largest marine reserve in the world. And also be able to watch a dolphins dance and play with the camera, dive or just durachatsya. Never seen so close before!

The Cove(en)

The Cove tells the amazing true story of how an elite team of individuals, films makers and free divers embarked on a covert mission to penetrate the hidden cove in Japan, shining light on a dark and deadly secret. The shocking discoveries were only the tip of the iceberg.

Tigullio minore(it)

In the Tigullio region near Gênes this shortdocumentary shows the funeral of a local fisherman.

Invencibles(es)

South(en)

What kind of power is accessible through the discovery of a voice? Morgan Quaintance interlinks two anti-racist and anti-authoritarian liberation movements in South London and Chicago’s South Side with his own biography to explore what happens when speech is ignored, and the voice fades.

Cornell, 1965(en)

Lawrence Jordan's portrait of the reclusive artist Joseph Cornell.

Ignoring It: The Big Ba$il Story(en)

A documentary about an up-and-coming young rapper with big aspirations.

Do Not Split(en)

The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.

The Deal(en)

Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.

Declutter(en)

One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean. Through the scrubbing and wiping and rinsing, Madison's thoughts drift to her mother — and her obsessive need to tidy. Madison’s mother survived a traumatic childhood: her own mother never reconciled what she went through at residential school. Cleaning offers moments of control that she didn’t have as a child. She’s fought hard, against all odds, to become a strong woman. They say trauma is in the genes, that it’s passed from one generation to the next. But strength is inherited too. Through rituals as simple as spending time together and smudging, Madison and her mother are beginning to mend the cycle of pain in their family. Declutter is an intimate look into a private moment between mother and daughter and the strength that carries them both.

Abortion Helpline, This Is Lisa(en)

At the Philadelphia abortion helpline, counselors field nonstop calls from women and teens who are seeking to end a pregnancy but can’t afford to, illustrating how economic stigma and cruel laws determine who has access to abortion in America.

Character(en)

Actor Mark Metcalf made his reputation in Hollywood playing aggrieved authority figures. Now in his 70s, he takes a look back on his career in this meditation on power, privilege, and the perils of being a "type."

Church and the Fourth Estate(en)

A reporter uncovers a file that reveals a shocking series of child abuse allegations in Idaho's Boy Scouts, which rattle the community and implicate the Mormon church. The story reveals long-running crimes that threaten to bankrupt the Boy Scouts.

Studio 2(en)

Film student Patrick Atallah has a problem on his hands: his graduation documentary was cancelled at the last moment, so he has just one day in a studio to make an entire, fully realised film. What’s the film going to be about now? He doesn’t know, but he’s hoping to find it along the way. To do this, he invites five of his closest friends to the studio to help him come up with some interesting ideas.

Hearts of Darkness: A Filmmaker's Apocalypse(en)

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

The Dreamers(en)

The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)