An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.
Herself
Himself
Himself
Herself
Himself
Bilal is picked up from school by his father, who is a taxi driver. But before they have time to drive, an unpleasant man jumps into the taxi. Bilal's father says he has time off, but the man threatens him with a gun to give him a taxi ride. Bilal, who does not understand the seriousness of the situation, sits next to the man with his toy gun. The man and Bilal begin a dangerous game with firearms, and it develops into a tense situation
Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
Royal Rumble (2011) was the twenty-fourth annual Royal Rumble PPV. It took place on January 30, 2011 at the TD Garden in Boston, Massachusetts. As has been customary since 1993, the Royal Rumble match winner received a match at that year's WrestleMania for his choice at either the WWE Championship or the World Heavyweight Championship. The main event was the annual Royal Rumble match featuring 40 participants from both brands, instead of the usual number of 30. The primary match on the Raw brand was for the WWE Championship, between reigning champion The Miz and Randy Orton. The primary match on the SmackDown brand was Edge versus Dolph Ziggler for the World Heavyweight Championship. The other featured match on the card was a Fatal Four Way match for the WWE Divas Championship between Eve Torres, Natalya, Layla and Michelle McCool.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
Box explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.
In a traditional community high in the Peruvian Andes, a tender relationship between two teenage boys, Fausto and Chaska, leads to a violent confrontation with Fausto's macho father at the annual Takanakuy Festival.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
A real estate developer's plans hit a snag when she discovers that the small Christmas tree farm that she bought once raffled off deeds to local families. To save her project, she must work with a local historian to track down each family and convince them to sell their little slice of the farm. Festive drama, starring Tamara Almeida and Cody Ray Thompson
Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.
Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.
Giuseppe, a Sicilian fisherman, and Yousef, an exiled Tunisian, share a friendship, a fishing business and "Medea," the vessel on which they ply their trade. Then, while they are at sea, the fears of the post-9/11 world shatter their idyllic relationship. Giuseppe hears a radio broadcast about a wanted terrorist with Yousef's name. The Italian locks his friend in the hold. But when Yousef escapes, the former friends' boat becomes their battleground.
The scene opens in an artist's studio where the unfinished statue of William Tell stands upon a pedestal. A clown appears and sticks a clay arm and clay head on the statue, thus completing it. He places a large brick on top of the head to make it stick. When he turns his back the statue turns into a living representation of William Tell. (Edison Catalog)
The first time Chris Evert and Martina Navratilova stepped onto a tennis court together, the world scarcely noticed. Only a few hundred spectators saw the pert 18-year-old beat the scrappy 16-year-old Czech in 1973. “I remember that she was fat,” Evert recalled. “She was very emotional on the court, whining if she didn't feel she was playing well. But I remember thinking, if she loses weight, we’re all in trouble.” Said Navratilova, “My goal was for her to remember my name.” Eighty matches later – amid the extraordinary growth of women’s tennis – Evert not only remembered, but became a tried and true friend and confidante, remarkable considering the two appeared to be polar opposites in upbringing, life styles and personal relationships. Through a series of personal conversations, this documentary will tell the story of one of the greatest one-on-one sports rivalries and capture these two extraordinary athletes’ views on tennis and an ever-changing world.
A first person journey through a lunchtime adventure as he finds himself enthralled by a masterpiece.
Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.
Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.
A dazzling journey through time via the remarkable images of National Geographic photographer Frans Lanting and his epic "LIFE" project, which presents a stunning interpretation of life on Earth, from the Big Bang through the present.
A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.
Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.
Documentary about the creative process of photographer Lua Morales, produced by the studio Bad Chinchilla.
A fascinating insight into the life and works of photographer Imogen Cunningham. Coming into public attention around 1910, she was celebrated in the late sixties through awards, honorary degrees and exhibitions. Her photos are looked at from three focal points: nature, portraits and figure studies.
A short film commemorating the 1927 doll exchange between the US and Japan organized by the Committee on World Friendship Among Children
On the 11th of August at 11 minutes past 11am, almost total darkness fell across Southern England and an eerie silence descended as the population gazed skyward at what was the last total solar eclipse of this millennium. A total solar eclipse is a breathtaking event and this documentary programme conveys that awesome feeling by exploring how and why eclipses happen. A mixture of computer-generated views from outer space, footage of eclipses throughout the 20th century (some taken as early as 1927) and original footage taken of this year's total solar eclipse (shot in Cornwall) make this programme a celebration of eclipse mania.
This short documentary shows Canada's top swimmers in training for the 1964 Olympic Games. Under the critical eye of coach Ed Healy, they practice long hours in the gym and in the pool to build strength and stamina.
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
In Nigeria, a young Canadian doctor serves in a local mission hospital and learns much from the experience. Stationed abroad under the Canadian University Service Overseas Plan, Dr. Alex McMahon and his schoolteacher wife find every day a fresh challenge. An interesting study of intercultural help.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.
The making of the hoax film Miracles of Evolution.