America the Beautiful
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Go to the Big Island and hover above erupting craters at Hawaii Volcanoes National Park, watch flowing orange lava ooze across charred rock and steam billow from the Pu'u 'O'o Vent. Glide over Maui's Haleakala National Park and discover the diversity of Hawaiian landscapes. Island hop to Lanai for spectacular beaches. Visit Pearl Harbor from above and the memorial sites before exploring the rest of Oahu. Narrated by Tom Skerritt
0.0Between the hotel and city hall(ko)
The hotel overlooks the city hall. The city hotel returns the glance. Glances bounce off each other, become directions and points headed towards, together, and outwards all just one frame apart in between the hotel and city hall.
7.3Sun Song(en)
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7.5Grizzly Man(en)
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6.8Le Clitoris(fr)
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0.034 Days in 2018(en)
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7.0Big Sharks Rule(en)
It’s an ocean of giants. South Africa has a dramatic, rocky coast that’s raked by churning currents. Warm, cold, rich and murky water collide to create "shark central", with enough food to sustain the biggest. Giant sharks like great whites, tiger sharks, bull sharks, ragged tooth sharks, and whale sharks all reign supreme in these waters.
4.7Breakdowns of 1938(en)
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
10.0Who Loves the Sun(ar)
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Jimmy Dorsey and His Orchestra(en)
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7.7Brasilia, Contradictions of a New City(pt)
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
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0.0Fallout: When and How to Protect Yourself Against It(en)
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The Voice of Hollywood(en)
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0.0Ibex: Acrobats on the Rocks(en)
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6.7Jurassic World Camp Cretaceous: Hidden Adventure(en)
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8.0Avatar Spirits(en)
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7.6Our Planet: Behind the Scenes(en)
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7.1A Fan's Guide to Ms. Marvel(en)
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6.7Manhatta(en)
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
6.9Capturing Avatar(en)
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6.1Quay(en)
In 2015, Christopher Nolan curated a selection of short films by the surrealist animators the Quay Brothers to be distributed as a touring 35mm presentation. The three films—"In Absentia" (2000), "The Comb" (1991) and "Street of Crocodiles" (1986)—were accompanied by this brief portrait of the brothers at work in their London studio.
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Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
7.5Chronos(en)
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.


