The Orchid(1971)

African American Express(en)

African American Express is an abstract animation exploring the impact of consumerism in the Black community. Told in the style of Soviet Propaganda, this animated short dissects the pattern of excessive materialism and consumption prevalent within the Black population.

L'angle mort d'une hirondelle(fr)

Seasonal movements and bittersweet moods of young adults faced with the realization of mortality, movement and the passing of things.

Memory Replica(vi)

After hearing about a pagoda's mysterious disappearance, a group of filmmakers embarks on their journey to find an explanation.

Tierra(xx)

"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1

When the Camera Wasn't Running(en)

A young girl from New Orleans dreams of celebrating her birthday during the weekend of Hurricane Katrina.

Heartstorm(en)

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

It's Teh Doctor(en)

Emily has a doctor's appointment. Sorta. Kinda. Not really.

Pending Title(en)

Experimental middle school short

Soft(en)

A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.

THÁI BẢO HUỲNH KHANG(vi)

A trans Vietnamese woman's deadname being repeated over and over again.

The Sunset Special 2(en)

This exclusive luxury cruise presents itself as the perfect holiday and family utopia. However, all artificial facades of this attractive consumer product dissolve, as a psychedelic dream world unfolds, illusions break and the crude reality beyond superficial comfort is unveiled.

3/60: Trees in Autumn(de)

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

Silent Passability (Ride to the Countryside)(en)

Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.

The Female Offender(en)

An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.

Em Branco(pt)

Bosco(fr)

Three filmmakers bring back images of the forest. They are reworked and destructured with the means of the photochemical laboratory. BOSCO is a visual breakthrough punctuated by a contrasted and hypnotic black and white.

cuando (no) soy yo(es)

Love(tr)

A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.

Darling, Mister Graphophone(en)

A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.

Shapeless Tracking(es)

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.