Movie: Past Perfect

  • HomePage

  • Overview

    “Past Perfect” is a spirited meditation on the elusiveness and inaccessibility of (Jewish) history as conveyed through sightseeing tours of “Jewish” Poland, a grandmother’s recollection of life in America during War II, and memoir-like “last moments” of a great aunt believed to have died in Treblinka. Shot almost entirely in contemporary Poland, “Past Perfect” lyrically portrays the relentless yet ultimately futile attempt to resuscitate a history literally gone up in smoke.

  • Release Date

    2002-04-09

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

    English

Similar Movies

Man with a Movie Camera
78%

Man with a Movie Camera(ru)

1929-05-12

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Arquivos Kino-Pop
0%

Arquivos Kino-Pop(en)

2019-05-14

Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.

Closed Beaches
100%

Closed Beaches(xx)

Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.

Dilema I: Burundanga Boricua
0%

Dilema I: Burundanga Boricua(es)

1990-01-02

Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.

Something New to Die for
0%

Something New to Die for(en)

1993-08-06

Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.

Animals Under Anaesthesia: Speculations on the Dreamlife of Beasts
0%

Animals Under Anaesthesia: Speculations on the Dreamlife of Beasts(en)

2018-05-13

Part lyrical document, part farce, Animals Under Anaesthesia: Speculations On the Dreamlife of Beasts explores the imaginary unconscious minds of animals. Images of sex, death and the natural world are made manifest in the murky and disquieting dreams of a dog, a cat, a pig and a rabbit.

Piz Regolith
60%

Piz Regolith(de)

2020-12-12

A postmodern Swiss-Tyrolean ensemble ventures into remote mountainous regions, embracing the sonorous variety of local vernaculars. A poetic road movie with stunning shots and an emphatic approach to a new alpine aesthetics.

She Had Her Gun All Ready
82%

She Had Her Gun All Ready(en)

1978-01-01

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

I, Apostate
0%

I, Apostate(en)

2018-11-28

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.

Feeler
75%

Feeler(en)

2016-06-27

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Shoot Me
62%

Shoot Me(en)

2013-09-26

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

Threshold
65%

Threshold(en)

1972-01-01

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre

Mamagüela
0%

Mamagüela(es)

1994-09-17

Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.

Not Bad at All
0%

Not Bad at All(en)

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

On the Heights All Is Peace
60%

On the Heights All Is Peace(it)

1998-01-01

Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.

The Movement of People Working
50%

The Movement of People Working(en)

2003-01-01

A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.

Concrete Vache
0%

Concrete Vache(en)

2010-01-01

Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.

Just Hold Still
53%

Just Hold Still(en)

1989-03-21

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.

La deuxième femme
0%

La deuxième femme(fr)

2008-11-30

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

Autumn
0%

Autumn(en)

2015-10-20

Autumn, photographed during the last months of the drought year, 2015, is a stately, but intimate, seasonal tome, a celebration of the poignancy and mystery of our later years. – Nathaniel Dorsky