HOTEL ARMADA - A Portrait of Dance

Anerca, Breath of Life(fi)

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

Duration-Landscape: Rocks(gl)

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

Kites at the Kamogawa (for Jonas Mekas)(ja)

Black kites soar on thermals along the Kamo river in Kyoto. Flags billow. Cacti spin. Plum trees blossom. Pigeons make love atop a clock. Friends chat by the riverside. Filmed February/March 2019 on a single 40 year old cartridge of Kodachrome Super 8 and hand-developed in Caffenol. The film was heavily fogged, but there are some (real) images.

Butterfly Disaster(en)

Inspired by a newspaper article about the plight of monarch butterflies, using found footage from four different sources, I edited, optically-printed, superimposed, scratched on, bleached and otherwise altered the film to highlight, lament and challenge the monarch butterflies’ dilemma. –Caryn Cline

The Philosophy of Horror (Part I): Etymology(hu)

The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

Moto Contínuo(pt)

An immersive look at São Paulo Dance Company

Good Enough: A Modern Musical(en)

College seniors Jamal and Trevor each think they have it all planned out until they have an unexpected encounter, but can their developing love overcome their different paths, friends, and families?

Death of a Reader(bn)

A confession from a filmmaker, who is not able to read books anymore. He tries to justify himself before the camera.

Discomfort Between The Fingers(pt)

In Curitiba, the group that leads music label Meia-Vida is responsible for a secret portion of the city, hidden behind secluded apartments, dimly lit rooms and crooked, labyrinthine songs, responsible for one of the most fascinating musical movements in the country.

Replika(pl)

TRAUMA(xx)

TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.

Solo Dancer(zh)

Dance educator LIN Ssu-tuan is the first professional nude model in Taiwan in the 1950s and the 1960s, the muse for painters and sculptors in the art world, and the face for photographers’ salons around the world; in the end, she reversed the dynamics of the subject vs. the object and went on to perform her first solo modern dance in 1975, turning herself from the state of passiveness to an active educator of the art of dance. LIN is over 80 years old, but she still fervently pursues her ideals and passions with her body; her path of life is indeed a book of female art history that communicates with the society in Taiwan.

The Performance(en)

Hussein learnt to breakdance from a soldier in Iraq as a kid, then chased his American Dream to NYC. Now a choreographer, he mistakes a shot at success for a breakthrough and loses everything, but will do whatever it takes to keep dreaming.

Mapocho(en)

A visual journey through the Mapocho river.

Terminal City(en)

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye

I Can't(en)

A roll of film is not a successful conduit for grief. For Robert Todd.

Embodiment of Darkness(en)

A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless

Vanity(es)

Ara crema(ca)

Vertigo(ko)

A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the whistle and attempts to steal their glances. Steps are broken and transform. A new glance replaces the old.