Toon Hermans' one man show anno 1968
Toon Hermans' one man show anno 1968
1968-04-10
0
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
The Dutch comedian Dolf Jansen looks back on the turbulent year 2021.
Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.
In his second comedy show the Dutch comedian Kees Torn sings about postmen who wonder about street names, Rotterdam by night, playing Mozart and being trapped in your own limited body.
In his third comedy show the Dutch comedian Kees Torn tells and sings about his girlfriend. He is in love and therefore affraid that it will end. He also fears that he is too in love to write about anything else and that his audience will get tired of him.
In his fourth comedy show the Dutch comedian Kees Torn has resolved not to talk about his girlfriend anymore, as that got out of hand in his previous show. This performance is therefore about other matters: how progress does not always actually bring about progress.
In his fifth comedy show the Dutch comedian Kees Torn reflects on addictions. Torn himself struggles with a dependence on whiskey and cigars, but also rhyme, Bach and his girlfriend José.
In his sixth comedy show the Dutch comedian Kees Torn tells that his impresario no longer allows him to talk about his girlfriend, his love for cigars and whiskey. That's why he's only talking about politicians, television personalities and important things like the QWERTY keyboard layout.
This show is a TV adaptation of Jasperina de Jongs second theater show. The show contains songs about abortion, about revolving flowers, about a man born with inexplicable suicidal tendencies, about the objectification of women and many more.
In the last theater show (1981) of the Dutch cabaret company Don Quishocking, the internal dispute is central. When George Groot returns from Pune, it appears that he has joined the Bhagwan movement. All group members deal with it in their own way, but it seems inevitable that the group members have grown apart.
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.
The Dutch musical comedians Theo Nijland, Maarten van Roozendaal, Jeroen van Merwijk and Kees Torn sing and play a selection of their songs to promote the Dutch theater song.
Television registration of the third program by the Dutch comedian Marc-Marie Huijbregts. Marc-Marie Huijbregts sketches a very intimate self-portrait based on personal anecdotes and reflections.