Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.
Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.
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Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.
Five Jewish Hungarians, now US citizens, tell their stories: before March 1944, when Nazis began to exterminate Hungarian Jews, months in concentration camps, and visiting childhood homes more than 50 years later. An historian, a Sonderkommando, a doctor who experimented on Auschwitz prisoners, and US soldiers who were part of the liberation in April 1945.
A resident of a ghetto’s neighborhood of São Paulo amid the Covid-19 pandemic, Gustavo has severe anxiety attacks. When he receives a call from a friend who lives in the same street, he reflects different stories of neighborhood residents in parallel with his family's daily life during social isolation.
Southern California’s Coachella Valley, including the communities of Palm Springs, Palm Desert, Desert Hot Springs, boasts hundreds of extraordinary midcentury modern homes, public buildings and commercial structures. Modern designers such as William F. Cody, Albert Frey, William Krisel, John Lautner, Richard Neutra, R.M. Schindler, Donald Wexler, E. Stewart Williams left their collective mark on this desert paradise. Desert Utopia: Mid-Century Architecture in Palm Springs traces the history of modern architecture in Palm Springs from the first bold forays into modernist design to the preservation challenges facing the region today. Director Jake Gorst’s film features rare archival images and footage as well as interviews with historians, homeowners and the architects who helped create this mecca of modernism.
A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
Diller Scofidio + Renfro has long been at the forefront of design with provocative exhibitions that blurred the boundaries between art and architecture. This film captures their extraordinary evolution and unique process in reimagining the public identities of Lincoln Center and the once derelict High Line railroad tracks.
touristic intents is a feature documentary film that explores the connection between mass tourism and political ideology. The film is centered on a case study: the never-completed Nazi resort of Prora, on Germany’s Baltic Sea, which was built on a mammoth scale beginning in 1936 to house 20,000 vacationing working-class Germans. This 4-mile-long building was used in propaganda to forward a promise of leisure time for the masses and strengthen sympathies between the workers and the Nazi party. Although the Nazis left the site unfinished, the Socialist East German government continued construction in the 1950s, using it for military training as well as housing for conscientious objectors pressed into labor by the GDR regime. After decades of abandonment, the massive edifice is now being redeveloped into apartments, condominiums, hotels, and a youth hostel.
La Belle Vie: The Good Life takes a look into a filmmaker's journey to discover her Haitian roots by examining the complexities of the Haitian society but also chronicles her voyage to find hope in this nation on the brink of a new Haiti.
The war zone of a dystopian multiplayer shooting game is used to embark some urban explorers on a winter walk, avoiding the combats whenever possible, as peaceful observers, inhabitants of a digital world, which is a detailed replica of Midtown Manhattan.
Documentary about Queen Elizabeth Square, Sir Basil Spence's block of Brutalist style flats built to replace the Gorbal's tenements in Glasgow during the 1960s. His vision was based on architect Le Corbusier's ideas and inspired him to transform the Gorbals into a Modernist Utopia. The film is about the life and times of one building told by some of the people involved in its history. The block was dynamited in 1993 amidst controversy and the death of a spectator. It is mentioned in Pevsner's Notable Buildings of Britain. This film was shown on BBC Scotland's Ex-S strand in 1993. Produced by May Miller and directed by Conrad Blakemore. This film is posted for educational and research purposes only and is copyright of BBC Scotland. Archive material courtesy of the Scottish Film Archive and the film's contributors.
Explores the Pyramids of Giza as Egyptologists try to unravel the mysteries and decipher the clues behind these stone giants built over 4,500 years ago.
A young man recalls different moments of his life, reflecting the preservation of memory, the enigma of time and the inevitability of death
In 1925, during the occupation of Haiti, a U.S. Marine Corps sergeant was stationed in charge of the small island of La Gonave. He befriended the natives and was so popular that they named him King Faustin I and installed him as their ruler. He ruled the island for three years, then left and returned to make this documentary.
Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.