Time Here No Longer

Shared Table(en)

“Last August, several filmmakers joined me to repair the splices in Markopoulos’s Eniaios. I interrupted our work for a moment; the generosity of James, Silvia, Nina, Alexandre and Julia prompted me to film them. Then I filmed James Edmonds a second time with the avocado plant that he had grown while we were working together.” (RB)

Fantastic Vision(fr)

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

Faces of Death III(en)

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

Enticing, Sugary, Boundless or Songs and Dances about Death(uk)

In a delicate and humane manner, this film touches upon a very serious issue: how to stop fearing death while being in love with life. We talk (and laugh) about this subject with the protagonists of this film, modern geniuses and ordinary people from different parts of the world.

A.WAY(nl)

"A.WAY" is a journey into lost memories of youth, purely constructed with archive material. A nostalgic reverie that transitions into a feeling of melancholy and unease. The beauty of life and the fear of death as a universal sentiment.

Parque Necrópolis(es)

Guadalcanal Requiem(en)

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.

The Hour of Departure(pt)

The life of a Portuguese woman.

Untied(en)

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.

Conversation with Two Lovers(en)

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.

The House That Eye Live In(en)

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

.TV(en)

The much sought-after, two-letter web domain suffix of the title is examined as both a form of capital and an emblem of a country on the brink of a climate-induced catastrophe in this simultaneously humorous and illuminating essay film centered on the environmentally contentious Pacific Islands of Tuvalu.

Mr. Death(no)

An exclusive interview with Death as he goes about his everyday business.

December Hide-and-Go-Seek(ja)

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

Devil's Circuit(ja)

A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.

Dignitas - Death on Prescription(en)

Switzerland is the only country in the world that allows foreigners to come and die on its territory. Since its founding in 1998, more than a thousand people have traveled to Zurich to end their lives with the help of the organization Dignitas. "Dignitas - Death on Prescription" is a documentary about an organization that provides people with terminal and incurable illnesses, intense unrelenting pain, and depression with a peaceful death. The organization's founder, lawyer Ludwig Minelli, is often the target of insults, especially from politicians, despite the fact that most Swiss citizens support the option of medically assisted suicide.

Being 97(en)

Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.

Documenti su Giuseppe Pinelli(it)

The film examines the death of the anarchist Giuseppe Pinelli, who fell from the fourth floor of the police headquarters in Milan December 15, 1969, after being stopped following the Piazza Fontana bombing.

The Death of "Superman Lives": What Happened?(en)

The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major filmmakers: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.

Diana, 7 Days(en)

In August 1997, the tragic death of Diana, Princess of Wales, stunned her family and catapulted the British public into one of the most extraordinary weeks in modern history. What was it about Diana that resulted in such an outpouring of grief? And what does that week reveal about Britain's relationship with the monarchy, then and now?