

A young man recalls different moments of his life, reflecting the preservation of memory, the enigma of time and the inevitability of death
Narrator
Boy
0.0Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.
4.0In this film, Will Young travels to Magritte's native Belgium to find out more about the man whose trademark was a bowler hat and whose apparently conventional exterior concealed the mind of a subversive rebel. Will uncovers a childhood marked by tragedy, a marriage that lasted from Magritte's adolescence until his death in 1967, and a stunning artistic legacy which endures to this day.
'if you only had one year left of your life, what would you do?' This question asks Swiss author Franz Hohler. His answer: 'Make death your adviser to live life to the fullest.' He is one of several carefully chosen Swiss citizens who give us an insight into their personal views on life and death. Besides these colorful, oftentimes funny quotes we meet Tom, a 50-year old male that has been diagnosed with incurable brain tumor. Contrary to what one would expect, Tom takes his sickness not as a burden but as a chance and lives his life happier than ever before. This to the surprise of his family and friends and above all - himself. The film encourages people to live life more consciously.
One film projected two times with a difference of a couple of seconds.
5.0An experimental film that lifts the veil on the world of African American drag racing.
9.0Renowned artist Krzysztof Wodiczko creates powerful responses to the inequities and horrors of war. This in-depth investigation into the artist focuses on the recurring themes of war, trauma, and displacement in his work. An instigator for social change, Wodiczko’s powerful art interventions disrupt the valorization of state-sanctioned aggression.
5.0I meet Herbert in the same week I get diagnosed with cancer. We fall madly in love and plan to stay together for the rest of our lives. Three months later, he is dead. Herbert was a BASE Jumper. Leaping off a cliff with nothing but a parachute, he loses his balance, slams into the rock face and falls to his death. His loss in the midst of my chemotherapy completely throws me. Why does he gamble his life away, while I fight for mine? Desperate for answers, I return to Lauterbrunnen, the scene of the accident where Andreas, his best friend and coach, introduces me to the world of BASE. The jumpers teach me not only about the sport, but about facing fears, harnessing and controlling them. To make the most of the life we get. In the Swiss Death Valley I slowly find my way back to life.
7.0One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.
My mother will die. Jutta interprets the diagnosis of an incurable cancer as a spiritual crisis. Accompanied by Rainer Langhans, to whom she has a deep friendship since over 40 years, Jutta travels to India and goes on the search for a healing experience from within.
0.0Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
Since 2007, dozens of young people have been found hanged in Bridgend, a town in southern Wales. Many of them knew one another-they were friends, neighbors, and family. The striking similarities between their deaths have confounded authorities and struck fear into the hearts of parents. Headlines splashed across the UK earned Bridgend its infamous nickname: ""Death Town."
6.5As the muse of Hal Hartley’s indie classics and as writer/director of the critically acclaimed Waitress, Adrienne Shelly was a shining star in the indie film firmament. A devoted young mother, her life was right on track until her husband found her dead. Filmmaker Andy Ostroy has been fighting to discover the truth about his wife’s death ever since.
0.0By letting go of the urge to control and embracing the unexpected, the creative process finds a new pulse. Thus, Gut Knows What Mind Does Not Understand aims to celebrate what emerges when we trust our intuition and the experiences the world offers us.
6.8The story of Hitler’s final hours told by people who were there. This special features exclusive forgotten interviews, believed lost for 65 years, with members of Hitler’s inner circle who were trapped with him in his bunker as the Russians fought to take Berlin. These unique interviews from figures such as the leader of the Hitler Youth Artur Axmann and Hitler’s secretary Traudl Junge, have never before been seen outside Germany. Using rarely seen archive footage and dramatic reconstruction, this special tells the story of Adolf Hitler’s final days in his Berlin bunker.
0.0A short documentary on a grandson returning home to visit his aging grandmother who was crying to see him on the phone.
0.0Two halves split by the perseverance of a scorpion. Come on, feet.
In the depths of a Maine winter, an end-of-life doula prepares her clients for death while grappling with her own uncertainties about loss and mourning.