Van Muiswinkel & van Vleuten: Antiquariaat Oblomow(2005)

Jochem Myjer: Adem In, Adem Uit(nl)

In the show, Jochem talks about his love for nature. Jochem: 'If you're going to talk about something four hundred times, you have to choose something you really want to talk about. Jokes are fun, but I want to talk about things that interest me. My three big hobbies are fishing, theater, and birds. The book De Gorgels is also about nature. I've already incorporated my passion for biology into it, and now I want to show that on stage as well.

Philippe Geubels: Droog(nl)

The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.

Mike & Thomas: De Mike & Thomas Kerstrevue(nl)

Najib Amhali: Zorg dat je erbij komt(nl)

The tour for "Zorg dat je erbij komt" was completely sold out. For three shows at the Meervaart, more than 150,000 people wanted tickets in just one weekend!

Rundfunk: Wachstumsschmerzen(nl)

An absurdist theatre piece by Dutch comedy duo Rundfunk. A collection of original sketches and songs.

De Alex Klaasen Revue: Showponies 2(nl)

A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks. Klaassen considers coming out for a second time, because he feels like he has ended up in a second closet after his first coming out.

Hans Teeuwen: Dat dan weer wel(nl)

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Theo Maassen: Ruwe Pit(nl)

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Fuad Hassen: Remmende Voorsprong(nl)

In his third comedy special the Dutch comedian Fuad Hassen talks about how little things can turn out differently than expected, only to change the whole world.

Nigel Williams: Terrorist(nl)

Hans Teeuwen: Met een Breierdeck(nl)

The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.

Hans Teeuwen: Trui(nl)

In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.

Tineke Schouten: 25 Jaar Theater(nl)

Lebbis: W2P(nl)

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Jurk!: Glitterjurk(nl)

Urbanus: Genoeg Gelachen, Nu Humor!(nl)

The surrealist adventures of Urbanus interacting with the world around him.

Najib Amhali: Most Wanted(nl)

Micha Wertheim: Voor Gevorderden(nl)

Stage registration of the second comedy special by the Dutch comedian Micha Wertheim. This performance takes place in a dream, a dream in which Micha Wertheim shares all kinds of confessions, for example about how he manages to cope with the knowledge that he is probably not a real genius.

Silvester: Alone(nl)

Micha Wertheim: Someone Else(nl)

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.