Women at the stake(2023)

Rumba Calling(es)

Celebration of the most representative genre of Cuban idiosyncrasy, rumba. Through interviews and drumbeats by the most emblematic figures and groups of this manifestation, we comment on its origin, the role it plays in national life and the enormous influence it has had on other forms such as son, timba , jazz and rap.

Believe It or Not (Second Series) #4(en)

Billy falls asleep and dreams Robert L. Ripley takes him on a tour of Believe-It-or-Not land to see many oddities. Vitaphone No. 1320.

Believe It or Not (Second Series) #5(en)

Robert Ripley shows a pretty blond a shrunken head and an iron execution chamber. Vitaphone No. 1336.

Believe It or Not (Second Series) #6(en)

Robert Ripley draws and shows movies to train passengers. Vitaphone No. 1346.

Believe It or Not (Second Series) #7(en)

Robert Ripley gives a show aboard a luxury liner at sea, starting with drawings discussing the origin of the "fathom" and Christopher Columbus being banished from America. Vitaphone No. 1361.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Without Mercy(de)

The animated documentary - a mix of live-action footage and animation - tells of the brutal everyday life in the orphanages of the 60s / 70s. Often led by Christian orders, more than one million children were physically and physically abused here. The anonymous protagonist tells of her childhood and her very personal struggle against the nuns' arbitrariness and their ruthless authority.

RIDE: A Brutal Fairytale(en)

Boobs(en)

A witty, forthright dive into the wonderful world of boobs by singer and filmmaker Elizabeth Sankey - from enhanced boobs to 'free the nipple', bras, Baywatch, and the stars of reality TV.

Believe It or Not (Second Series) #8(en)

Robert Ripley presents a well-dressed cocktail party an assortment of drawings and film clips showing the world's youngest parents and the largest bible. Vitaphone No. 1362.

Believe It or Not (Second Series) #9(en)

In this short film, Robert L. Ripley introduces narrator Leo Donnelly who presents various "Believe It or Not" oddities from around the world as gathered by Ripley. Segments include a NYC clothier that caters to very large men and circus elephant grooming. Vitaphone No. 1363.

Believe It or Not (Second Series) #10(en)

This omnibus of film clips include a Savanna golf course made from Civil War trenches, wooden Indians used ourside cigar stores, an American Indian artist from South Dakota who paints upside down, the smallest residence house, a Bronx River statue with mysterious Civil War origins, the Ocean Grove community in New Jersey that closes on Sundays and a futuristic automated parking garage. Vitaphone No. 1364.

The Willmar 8(en)

Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.

The Man Who Left His Soul on Film(en)

Documentary about Nagisa Oshima. It includes interviews with Oshima, Donald Richie, Roger Pulvers and Paul Mayersberg

Papa – Notes on Life and Death(da)

The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.

The Admiral: Pub, Drums and Food(en)

A documentary short catching up with John Halsey a.k.a. Barry Wom of The Rutles

Pacific Club(fr)

In 1979, the Pacific Club was opened in the basement of La Défense - the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of integrating into France but who soon came face to face with racism, the AIDS epidemic, and heroin.

Worst Kept Secret: The Subwoolfer Documentary(en)

It started with a writing camp and a banana... and became a phenomenon that captivated Eurovision fans across the world. But who could possibly be behind the masks? Worst Kept Secret tells the story of Subwoolfer - Norway's iconic Eurovision entry in 2022 and the first ever anonymous yellow wolves from space to grace the Eurovision Song Contest stage. Finally the identities of Jim and Keith have been revealed... but not everything was always as it seemed.

Marvel: Empire of Superheroes(en)

Marvel and its rival DC Comics were long locked in a battle for supremacy in the superhero universe. But then Marvel revolutionized its storytelling palette: Formerly slick comic book heroes were given human traits and problems as well as superpowers. Plot lines became increasingly interwoven. Superheroes like Spider-Man, X-Men and Jessica Jones now enjoy cult status even among an audience that has never read the comic books. Former Marvel insiders and comic experts give a rare glimpse into the inner workings of the Marvel universe and reveal how the company fought its way back to become one of the most successful names in the entertainment industry.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.