Elli Fat Mat(1989)

Arab Blues(fr)

Selma, a psychoanalyst, deals with a cast of colorful new patients after returning home to Tunisia to open a practice.

Alice and the Mayor(fr)

The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

Mr. Morgan's Last Love(en)

A widowed professor living in Paris develops a special relationship with a younger French woman.

Four Adventures of Reinette and Mirabelle(fr)

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

Ride Away(fr)

From the Atlantic to the Black Sea, Mathias and Philippe, two old friends, embark on a bicycle journey that Mathias’s son made before his tragic death. The two men ride through the ordeals with tenderness, humor and emotion.

Bye Bye Morons(fr)

When 43-year-old hairdresser Suze Trappet finds out that she's seriously ill, she decides to go looking for a child she was forced to abandon when she was only 15. On her madcap bureaucratic quest she crosses paths with JB, a 50-year-old man in the middle of a burnout, and Mr. Blin, a blind archivist prone to overenthusiasm. The unlikely trio set off on a hilarious and poignant helterskelter journey across the city in search of Suze's long-lost child.

On Tour(fr)

After leaving France in search of a better life in America, a television producer returns with a group of burlesque dancers to take the Paris club scene by storm.

My Own Love Song(en)

A wheelchair-bound singer and her best friend embark on a roadtrip to Memphis.

Chocolat(fr)

Chocolat the clown, the first black stage performer in France, goes from anonymity to fame after forming an unprecedented duo with fellow performer Footit in the very popular in Belle Epoque Paris. But easy money, gambling, and discrimination take their toll on their friendship and Chocolat's career.

Meet the Leroys(fr)

A man takes his wife and their teenage children on a road trip down memory lane while facing divorce.

The Big Hit(fr)

Etienne, an often out of work but endearing actor, runs a theater workshop in a prison, where he brings together an unlikely troupe of prisoners to stage Samuel Beckett’s famous play Waiting for Godot. When he is allowed to take the colorful band of convicts on a tour outside of prison, Etienne finally has the chance to thrive.

Take a Chance on Me(fr)

Marie-Line is juggling between odd jobs to support her agoraphobic father. Despite the precariousness of their lifestyle, she remains a lively and cheerful young woman. Yet, after a series of unfortunate events, she is fired from her job and sentenced by a judge to a small penalty. A few days later, this very judge will be in a position to help her get back on track – a chance for Marie-Line but also the beginning of an unlikely friendship.

It Must Be Heaven(fr)

Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.

Skies of Lebanon(fr)

In the fifties, young Alice leaves her natal Swiss mountains for the sunny and vibrant shores of Beirut. She falls madly in love with Joseph, a quirky astrophysicist intent on sending the first Lebanese national into space. Alice quickly fits in among his relatives, but after years of bliss, the civil war threatens their Garden of Eden.

Buffet Froid(fr)

Alphonse Tram is unwittingly involved in several murders despite having no memory of committing the crimes. His confusion lead him to confess to his neighbour, Inspector Morvandieu. Alphonse and Morvandieu become the axis around which murders occur.

No Love Lost(fr)

A single father, Étienne, is preparing for his daughter Rosa to leave home, but his life is upended when he sees his long-lost wife, Valérie, on TV, forcing a confrontation with the past.

It Runs in the Family(en)

This is the story of a dysfunctional New York family, and their attempts to reconcile

Enough is Enough!(fr)

Anticipating eviction from her retirement home after the death of her son and sole provider, rebellious septuagenarian Émilie decides to take revenge on all those who have wronged her. During her journey of initiation, she cuts to the quick to right the wrongs and is joined by Linda, a cleaning lady with whom she has forged a close bond. She, too, has nothing left to lose and decides to wage war against those who have scorned her. Soon, these two companions are hunted down by a pair of policemen.

Class Act(en)

Duncan is a genius straight A student, Blade is juvenile delinquent. But because of a mix up with their school records, everyone thinks each is the other one. Now, Duncan kind of likes the attention from being thought of as a real bad dude, if only the school bully would stop trying to rough him up. And Blade definitely likes being thought of as important instead of as trouble.

All Three of Us(fr)

An Iranian family survives the shah and the ayatollah and moves to France. This story follows the family through it all. Despite the politics, revolution, prison, beatings, assassinations and suicides this is a comedy.

Barrières(ar)

Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.

The King of Algiers(fr)

Omar, better known as Omar the Strawberry, is an old-fashioned bandit. Forced to flee to Algeria, he makes a living out of petty crime, accompanied by his famous sidekick Roger. After decades of ruling the French criminal underworld, they must come to terms with their new life together, which until now has been one of debauchery and violence.

The Mill of M. Fabre(ar)

The story of the post-independence nationalization of the mill of Monsieur Fabre, an old man attached to the land of Algeria where he was born. In this small town in eastern Algeria, there was nothing else to nationalize and they were actively preparing for the arrival of high dignitaries who would elevate the mill to the rank of an industrial flour mill even though it was threatened with ruin. The comedy gets worse when the football player from the local team withdraws for love, the officials' visit is canceled and Mr. Fabre returns.

The Refusal(fr)

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

Serkadji(ar)

In 1982, Hadj Rahim directed "Serkadji", a fiction film about the men's quarters of the Barberousse military prison in Algiers, where hundreds of FLN fighters were incarcerated and executed during the war of independence. Algeria between 1954 and 1962.

Douar de Femmes(ar)

At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.

El Manara(ar)

Three young friends—a girl (Asma) and two boys (Fawzi and Ramdane)—bound by a loving friendship, lead a carefree life. The riots of October 1988, the repression, the democratic explosion, and the Islamist drift that followed turn their lives upside down. Fawzi, a journalist involved in the independent press movement, and Ramdane, a doctor sensitive to the concerns of ordinary people, drift apart, separate, and find themselves caught up in a confrontation that is beyond their control. Asma tries in vain to prevent the trio from breaking up... But none of the three emerges unscathed...

Halim El Raâd(ar)

Halim, a young man with intellectual disability, who's living with his single mother that struggles to take care of him

Enough!(ar)

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

Pépé le Moko(fr)

Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.

Noua(ar)

In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.

The Zerda or the Songs of Forgetting(fr)

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

The Battle of Algiers(it)

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

Deux Femmes(ar)

An Algerian social satire that tells the story of Boujemaa, who marries a second wife in addition to his first wife, who is ill and with whom he has a son and a daughter. Living all under the same roof, the new wife imposes her authority in the house. The lives of the family members are then turned upside down.

Khouth Ma Aâtak Allah (عرس الدايم, خود ما اعطاك الله)(ar)

Krim Belkacem(ar)

This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.

Dark Night, October 17, 1961(fr)

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

The Harem of Madame Osmane(fr)

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

Dawn of the Damned(fr)

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Fanon(fr)

Frantz Fanon, a French psychiatrist from Martinique, has just been appointed head of department at the psychiatric hospital in Blida, Algeria. His methods contrast with those of the other doctors in a context of colonization. A biopic in the heart of the Algerian war where a fight is waged in the name of Humanity.